The Federal Theatre Project (FTP) was a New Deal project to fund theatre and other live artistic performances in the United States during the Great Depression. It was one of five Federal One projects sponsored by the Works Progress Administration (WPA). The FTP's primary goal was employment of out-of-work artists, writers, and directors, with the secondary aim of entertaining poor families and creating relevant art.
Other articles related to "theatre, federal theatre project, theatre project, project":
... experimental techniques of agitprop theatre, including the extensive use of multimedia ... the English term is most often associated with the Living Newspapers produced by the Federal Theatre Project ... in the United States of the 1930s, the Federal Theatre Project wrote and presented a number of Living Newspapers on social issues of the day, including Triple-A ...
... The Negro Theatre Project (NTP) was part of the Federal Theatre Project (FTP) and had units that were set up in cities throughout the United States ... The project provided employment and apprenticeships to black playwrights, directors, actors, and technicians ... The project offered a much needed source of assistance for African American theatre from 1935 to 1939 ...
... With the onset of the Great Depression, and masses of people, including theatre folk, out of work, Franklin D ... Among the numerous segments of this program was the Federal Theatre Project aimed at employing out-of-work entertainers. 1928 book "Shifting Scenes of the European Theatre", asked Flanagan to lead this program ...
Famous quotes containing the words project, federal and/or theatre:
“A candidate once called his opponent a willful, obstinate, unsavory, obnoxious, pusillanimous, pestilential, pernicious, and perversable liar without pausing for breath, and even his enemies removed their hats.”
—Federal Writers Project Of The Wor, U.S. public relief program (1935-1943)
“There are always those who are willing to surrender local self-government and turn over their affairs to some national authority in exchange for a payment of money out of the Federal Treasury. Whenever they find some abuse needs correction in their neighborhood, instead of applying the remedy themselves they seek to have a tribunal sent on from Washington to discharge their duties for them, regardless of the fact that in accepting such supervision they are bartering away their freedom.”
—Calvin Coolidge (18721933)
“For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.”
—Sarah Bernhardt (18441923)