Feast 2: Sloppy Seconds - Plot

Plot

The film opens with brief clips from the previous installment which the survivors Bozo, Hot Wheels, and Tuffy/Heroine 2 driving off into the sunrise. Whatever happened to them afterwards is unknown, as they are never seen again in future installments.

As the movie begins, Biker Queen discovers the severed arm of Harley Mom from the previous film. Upon discovering the surviving Bartender, she tortures him into telling her who killed Harley Mom. He reveals that it was Bozo and points her to a town where he lives. She knocks Bartender out and takes him with her to the town.

Meanwhile, the town is overrun by the monsters. A pair of small Mexican wrestlers named Thunder and Lightning are attacked by the monsters and Lightning's girlfriend is killed. Inside the jail, a hobo is in a cell for dealing meth. The Sheriff taunts him before being killed. A car salesman named Slasher finds evidence of his wife cheating and barely escapes the monsters.

The following morning, Biker Queen and four of her friends arrive in the deserted town, ignoring the dead bodies as they look for Bozo and cross paths with Slasher, his wife Secrets and the man she has an affair with, Greg. The group is attacked by a monster, which kills one of the biker girls. The others and the Bartender make their way to Bozo's apartment, where they encounter Honey Pie, the girl who left the group from the first movie behind at the bar. Bartender brutally attacks her and knocks Honey Pie out of the window and onto the street. Honey Pie survives the fall and goes into hiding.

Slasher, Greg and Secrets receive a call from the wrestlers, but before they find them they are ambushed by the bikers. Both groups get to a garage where the brothers and their grandmother are hiding. The group then tries to make it to the jail, but the hobo has sealed himself in.

As the wrestlers try to fashion a skeleton key for the jailhouse, Greg dissects one of the monsters, gravely injuring the wrestlers' grandmother and also causing it to make a terrifying howl in the process. As a result, more monsters swarm the garage. The brothers return with the key but the group must go to the roof to escape the monsters. The survivors on the roof hear a baby crying, trapped inside a station wagon. The next morning, Greg tries to save the baby, but when he encounters a monster and his plan backfires, he throws the baby to the air, leaving him to the monster to eat as a distraction when he has trouble escaping.

Meanwhile, Honey Pie, who has spent the night trapped in a store, is ambushed by one of the monsters. She manages to knock it out and uses its claws to make a hole in the bullet-proof glass of the store's door. As she is getting out, the monster regains consciousness and starts to chase her down the street.

Trapped on the roof, the group fashions a catapult with Biker Queen's motorcycle and the biker girls' clothes. Using the wrestler's gravely injured grandmother to test it, they cause her to smash into a wall and die. Thunder gets onto the catapult but is thrown into the street where he is quickly attacked by the monsters and disemboweled. Greg is then severely injured when a pipe from the bike flies into his head. Meanwhile, Lightning crosses the street under the protection of a trashcan. Thunder, missing his legs, crawls away while Lightning picks up the key he had dropped. Lightning reaches the jailhouse, but as he opens the door the hobo throws a stick of dynamite out. Lightning ducks down in the trashcan to protect himself from the explosion and is launched across the street.

Honey Pie, who made it to the border of the town, is injured by flying shrapnel and falls to the floor, apparently dead. The others watch as the monsters begin breaking onto the rooftop. Suddenly, Honey Pie gets up, screaming in anguish, and grabs her gun.

Read more about this topic:  Feast 2: Sloppy Seconds

Famous quotes containing the word plot:

    Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.”
    James Thurber (1894–1961)

    But, when to Sin our byast Nature leans,
    The careful Devil is still at hand with means;
    And providently Pimps for ill desires:
    The Good Old Cause, reviv’d, a Plot requires,
    Plots, true or false, are necessary things,
    To raise up Common-wealths and ruine Kings.
    John Dryden (1631–1700)