Projects
Fat Day's original inception as a standard guitar/bass/drums/vocals punk band has always been infused with a performance art aesthetic. They have been known to play dressed only in clear cellophane wrap or have vocalist Matt Pakulski locked inside a speaker cabinet for the entire duration of a live show. Their 1997 tour of the UK and Ireland featured a fifth member playing saxophone that drew comparisons to Captain Beefheart, and for their 1998 tour of the U.S and Japan the band built a set of oscillators that were activated by choreographed dances on four small trampolines. These homemade electronic instruments were later condensed into a more manageable helmet form that the band would wear and play songs on in the midst of their more guitar-based set.
Fat Day recorded a soundtrack for guitarist Doug DeMay's film Sexy Doings. They have also collaborated with the comic strip illustrator PShaw! on a comic strip poster and a purple vinyl 45 RPM record set called Oskarrensaga, based on their elaborate 2002 rock opera of the same name that involved inflatable pool toys (such as swans and a curly sea serpent), and featured narration by PShaw. The album Fat Day IV is a collection of twenty-one pieces of music composed and mailed in by fans, and Iguanadonaland enlists a community orchestra that performs throughout the album.
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Famous quotes containing the word projects:
“But look what we have built ... low-income projects that become worse centers of delinquency, vandalism and general social hopelessness than the slums they were supposed to replace.... Cultural centers that are unable to support a good bookstore. Civic centers that are avoided by everyone but bums.... Promenades that go from no place to nowhere and have no promenaders. Expressways that eviscerate great cities. This is not the rebuilding of cities. This is the sacking of cities.”
—Jane Jacobs (b. 1916)
“One of the things that is most striking about the young generation is that they never talk about their own futures, there are no futures for this generation, not any of them and so naturally they never think of them. It is very striking, they do not live in the present they just live, as well as they can, and they do not plan. It is extraordinary that whole populations have no projects for a future, none at all.”
—Gertrude Stein (1874–1946)