Fantastic art is an art genre. The parameters of fantastic art have been fairly rigorously defined in the scholarship on the subject ever since the 19th century. There was a movement of science fiction and fantasy artists prior to and during the Great Depression, which were mainly cover art and comic book illustrators. One anthology about them is Infinite Worlds: The Fantastic Visions of Science Fiction Art by Vincent Di Fate (himself a prolific SF and space artist), with foreword by Ray Bradbury.
Fantastic art has traditionally been largely confined to painting and illustration, but since the 1970s has increasingly been found also in photography. Fantastic art explores fantasy, "space fantasy" (a sub-genre which incorporates subjects of alien mythology and/or alien religion), imagination, the dream state, the grotesque, visions and the uncanny, as well as so-called "Goth" art. Being an inherent genre of Victorian Symbolism, modern fantastic art often shares its choice of themes such as mythology, occultism and mysticism, or lore and folklore, and generally seeks to depict the inner life (nature of soul and spirit).
Fantasy has been an integral part of art since its beginnings, but has been particularly important in mannerism, magic realist painting, romantic art, symbolism, surrealism and lowbrow. In French, the genre is called le fantastique, in English it is sometimes referred to as visionary art, grotesque art or mannerist art. It has had a deep and circular interaction with fantasy literature.
Read more about Fantastic Art: Historic Artists and Fine Artists, Contemporary Artists
Famous quotes containing the words fantastic and/or art:
“This fantastic state of mind, of a humanity that has outrun its ideas, is matched by a political scene in the grotesque style, with Salvation Army methods, hallelujahs and bell-ringing and dervishlike repetition of monotonous catchwords, until everybody foams at the mouth. Fanaticism turns into a means of salvation, enthusiasm into epileptic ecstacy, politics becomes an opiate for the masses, a proletarian eschatology; and reason veils her face.”
—Thomas Mann (1875–1955)
“Despite the hundreds of attempts, police terror and the concentration camps have proved to be more or less impossible subjects for the artist; since what happened to them was beyond the imagination, it was therefore also beyond art and all those human values on which art is traditionally based.”
—A. Alvarez (b. 1929)