Fanny Hill - Publishing History

Publishing History

The novel was published in two instalments, on November 21, 1748 and February 1749, respectively, by "G. Fenton", actually Fenton Griffiths and his brother Ralph. Initially, there was no governmental reaction to the novel, and it was only in November 1749, a year after the first instalment was published, that Cleland and Ralph Griffiths were arrested and charged with "corrupting the King's subjects." In court, Cleland renounced the novel and it was officially withdrawn. However, as the book became popular, pirate editions appeared. It was once suspected that the sodomy scene near the end that Fanny witnesses in disgust was an interpolation made for these pirated editions, but as Peter Sabor states in the introduction to the Oxford edition of Memoirs (1985), that scene is present in the first edition (p. xxiii).

In the 19th century, copies of the book were sold "underground." The book eventually made its way to the United States, where in 1821 it was banned for obscenity. It was not until 1963, after the failure of the British obscenity trial of Lady Chatterley's Lover in 1960 that Mayflower Books, run by Gareth Powell, published an unexpurgated paperback version of Fanny Hill. The police became aware of the 1963 edition a few days before publication, after spotting a sign in the window of the Magic Shop in Tottenham Court Road in London, run by Ralph Gold. An officer went to the shop and bought a copy and delivered it to the Bow Street magistrate Sir Robert Blundell, who issued a search warrant. At the same time, two officers from the vice squad visited Mayflower Books in Vauxhall Bridge Road to determine if quantities of the book were kept on the premises. They interviewed the publisher, Gareth Powell, and took away the only five copies there. The police returned to the Magic Shop and seized 171 copies of the book, and in December Ralph Gold was summonsed under section 3 of the Obscenity Act. By then, Mayflower had distributed 82,000 copies of the book, but it was Gold rather than Mayflower or Fanny Hill who was being tried, although Mayflower covered the legal costs. The trial took place in February 1964. The defence argued that Fanny Hill was a historical source book and that it was a joyful celebration of normal non-perverted sex—bawdy rather than pornographic. The prosecution countered by stressing one atypical scene involving flagellation, and won. Mayflower decided not to appeal. However the case had highlighted the growing disconnect between the obscenity laws and the social realities of late 1960s Britain, and was instrumental in shifting views to the point where in 1970 an unexpurgated version of Fanny Hill was once again published in Britain.

In 1963, Putnam published the book in the United States under the title John Cleland's Memoirs of a Woman of Pleasure, which also was immediately banned for obscenity, but the publisher challenged the ban in court. In a 1964 decision by the New York State court of appeal, the book was found not be obscene; this judgement reflected a previous judgement by the US Supreme Court in June 1964, in a case relating to an allegedly obscene film shown in Cleveland Heights. In a landmark decision in 1966, the United States Supreme Court ruled in Memoirs v. Massachusetts that Fanny Hill did not meet the Roth standard for obscenity.

In 1973, the Miller Test came into effect, and as a result the ban on the novel was lifted because although it appeals to the prurient interest and at points is patently offensive, the work taken as a whole does not lack literary or artistic value. The art historian Johann Joachim Winckelmann recommended the work in a letter for "its delicate sensitivities and noble ideas" expressed in "an elevated Pindaric style".

Read more about this topic:  Fanny Hill

Famous quotes containing the words publishing and/or history:

    While you continue to grow fatter and richer publishing your nauseating confectionery, I shall become a mole, digging here, rooting there, stirring up the whole rotten mess where life is hard, raw and ugly.
    Norman Reilly Raine (1895–1971)

    I believe that history has shape, order, and meaning; that exceptional men, as much as economic forces, produce change; and that passé abstractions like beauty, nobility, and greatness have a shifting but continuing validity.
    Camille Paglia (b. 1947)