Fame Is the Name of the Game (1966) is an American TV-movie, that aired on NBC and served as the pilot episode of the subsequent series The Name of the Game. It was directed by Stuart Rosenberg. It was produced by Ranald MacDougall, who also wrote the teleplay, from the novel Three Women by Tiffany Thayer.
The film stars Tony Franciosa as investigative journalist Jeff Dillon. It also presents the screen debut of 20-year-old Susan Saint James as Peggy Chan, Dillon's new editorial assistant. (In the series, St. James's character is renamed Peggy Maxwell, and she is the research assistant to all three of the rotating lead characters.) In the film, Jeff Dillon writes for Fame magazine, a publication of Janus Enterprises, and Glenn Howard (George Macready) is just the managing editor. In the subsequent series, Dillon writes for People magazine, a division of Howard Publications, and Glenn Howard (Gene Barry) is head of the whole company.
The telefilm also features Jill St. John, Jack Klugman, and Robert Duvall.
In the weeks before the telefilm's first broadcast, NBC ran an unprecedented blitz of TV ads which erroneously billed Fame is the Name of the Game as television's first "world premiere" of a "major motion picture". The film garnered phenomenal ratings leading to the spin-off series.
Read more about Fame Is The Name Of The Game: Principal Cast
Famous quotes containing the words fame is, fame, the and/or game:
“Fame is an accident; merit a thing absolute.”
—Herman Melville (1819–1891)
“To anybody who can hold the Present at its worth without being inappreciative of the Past, it may be forgiven, if to such an one the solitary old hulk at Portsmouth, Nelson’s Victory, seems to float there, not alone as the decaying monument of a fame incorruptible, but also as a poetic approach, softened by its picturesqueness, to the Monitors and yet mightier hulls of the European ironclads.”
—Herman Melville (1819–1891)
“It is seen
At the end that the kind and good are rewarded,
That the unjust one is doomed to burn forever
Around his error, sadder and wiser anyway.
Between these extremes the others muddle through
Like us....”
—John Ashbery (b. 1927)
“Hollywood held this double lure for me, tremendous sums of money for work that required no more effort than a game of pinochle.”
—Ben Hecht (1893–1964)