Fame Is the Name of the Game (1966) is an American TV-movie, that aired on NBC and served as the pilot episode of the subsequent series The Name of the Game. It was directed by Stuart Rosenberg. It was produced by Ranald MacDougall, who also wrote the teleplay, from the novel Three Women by Tiffany Thayer.
The film stars Tony Franciosa as investigative journalist Jeff Dillon. It also presents the screen debut of 20-year-old Susan Saint James as Peggy Chan, Dillon's new editorial assistant. (In the series, St. James's character is renamed Peggy Maxwell, and she is the research assistant to all three of the rotating lead characters.) In the film, Jeff Dillon writes for Fame magazine, a publication of Janus Enterprises, and Glenn Howard (George Macready) is just the managing editor. In the subsequent series, Dillon writes for People magazine, a division of Howard Publications, and Glenn Howard (Gene Barry) is head of the whole company.
The telefilm also features Jill St. John, Jack Klugman, and Robert Duvall.
In the weeks before the telefilm's first broadcast, NBC ran an unprecedented blitz of TV ads which erroneously billed Fame is the Name of the Game as television's first "world premiere" of a "major motion picture". The film garnered phenomenal ratings leading to the spin-off series.
Read more about Fame Is The Name Of The Game: Principal Cast
Famous quotes containing the words fame, the and/or game:
“Alas I find the Serpent old
That, twining in his speckled breast,
About the flow’rs disguis’d does fold,
With wreaths of Fame and Interest.”
—Andrew Marvell (1621–1678)
“You remind me of a child-friend who once wrote to tell me about her sister being married. “Now I will tell you all about Bessie’s wedding.” Then came a long account of bridesmaids, and breakfast, and everything else, except the name of the bride-groom! That of course didn’t matter: the great thing was to get married somehow.”
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)
“Wild Bill was indulging in his favorite pastime of a friendly game of cards in the old No. 10 saloon. For the second time in his career, he was sitting with his back to an open door. Jack McCall walked in, shot him through the back of the head, and rushed from the place, only to be captured shortly afterward. Wild Bill’s dead hand held aces and eights, and from that time on this has been known in the West as “the dead man’s hand.””
—State of South Dakota, U.S. public relief program (1935-1943)