Fame Is the Name of the Game (1966) is an American TV-movie, that aired on NBC and served as the pilot episode of the subsequent series The Name of the Game. It was directed by Stuart Rosenberg. It was produced by Ranald MacDougall, who also wrote the teleplay, from the novel Three Women by Tiffany Thayer.
The film stars Tony Franciosa as investigative journalist Jeff Dillon. It also presents the screen debut of 20-year-old Susan Saint James as Peggy Chan, Dillon's new editorial assistant. (In the series, St. James's character is renamed Peggy Maxwell, and she is the research assistant to all three of the rotating lead characters.) In the film, Jeff Dillon writes for Fame magazine, a publication of Janus Enterprises, and Glenn Howard (George Macready) is just the managing editor. In the subsequent series, Dillon writes for People magazine, a division of Howard Publications, and Glenn Howard (Gene Barry) is head of the whole company.
The telefilm also features Jill St. John, Jack Klugman, and Robert Duvall.
In the weeks before the telefilm's first broadcast, NBC ran an unprecedented blitz of TV ads which erroneously billed Fame is the Name of the Game as television's first "world premiere" of a "major motion picture". The film garnered phenomenal ratings leading to the spin-off series.
Read more about Fame Is The Name Of The Game: Principal Cast
Famous quotes containing the words fame is, fame, the and/or game:
“To want fame is to prefer dying scorned than forgotten.”
—E.M. Cioran (b. 1911)
“but as an Eagle
His cloudless thunderbolted on thir heads.
So vertue giv’n for lost,
Deprest, and overthrown, as seem’d,
Like that self-begott’n bird
In the Arabian woods embost,
That no second knows nor third,
And lay e’re while a Holocaust,
From out her ashie womb now teem’d
Revives, reflourishes, then vigorous most
When most unactive deem’d,
And though her body die, her fame survives,
A secular bird ages of lives.”
—John Milton (1608–1674)
“History is strewn with the wrecks of nations which have gained a little progressiveness at the cost of a great deal of hard manliness, and have thus prepared themselves for destruction as soon as the the movements of the world gave a chance for it.”
—Walter Bagehot (1826–1877)
“Old age is far more than white hair, wrinkles, the feeling that it is too late and the game finished, that the stage belongs to the rising generations. The true evil is not the weakening of the body, but the indifference of the soul.”
—André Maurois (1885–1967)