Culture
The Lady of the Lamp, Florence Nightingale, visited Falmouth and stayed at the town's Greenbank Hotel. Her name in the register can be viewed at the hotel today.
Falmouth has many literary connections. The town was the birthplace of Toad, Mole and Rat: Kenneth Grahame's classic Wind in the Willows began as a series of letters sent to his son. The first two were written at the Greenbank Hotel whilst Grahame was a guest in May 1907. Reproductions of the letters are currently on display in the hotel. Poldark author Winston Graham knew the town well and set his novel The Forgotten Story (1945) in Falmouth.
The town has been the setting for several films and television programmes. British film star Will Hay was a familiar face in Falmouth in 1935 whilst filming his comedy Windbag the Sailor. The movie had many scenes of the docks area. The docks area was featured in some scenes with John Mills for the 1948 film Scott of the Antarctic. Robert Newton, Bobby Driscoll and other cast members of the 1950 Walt Disney movie Treasure Island, (some scenes were filmed along the river Fal), were visitors to the town. Stars from the BBC TV serial The Onedin Line stayed in the town during filming in the late 1970s. In 2011 Paramount Pictures filmed parts of the movie World War Z starring Brad Pitt in Falmouth Docks and off the coast.
Falmouth has the first and last "Polytechnic": Royal Cornwall Polytechnic Society.
The Falmouth Art Gallery is a public gallery with a diverse nineteenth century and twentieth century art collection including many notable modern Cornish artists exhibited in four to five seasonal exhibitions a year, as well as a "family friendly and free" community and schools education programme.
Read more about this topic: Falmouth, Cornwall
Famous quotes containing the word culture:
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“The local is a shabby thing. There’s nothing worse than bringing us back down to our own little corner, our own territory, the radiant promiscuity of the face to face. A culture which has taken the risk of the universal, must perish by the universal.”
—Jean Baudrillard (b. 1929)
“Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.”
—Johan Huizinga (1872–1945)