Production
After finishing his previous work, Rave Master, Hiro Mashima found the story sentimental and sad at the same time, so he wanted the storyline of Fairy Tail to have a "lot of fun ". When originally creating the series, Mashima was inspired by magicians and wizards. He based Natsu's motion sickness on one of his friends, who gets sick when taking taxis together. When naming Natsu, Mashima thought western fantasy names would be unfamiliar to Japanese audiences. When writing individual chapters of Fairy Tail, Mashima takes a five day process: on Monday, the script and storyboards are written. On Tuesday, Mashima writes rough sketches. From Wednesday to Friday, he finishes the drawing and inking on the chapters. Mashima usually begins new chapters after completing the previous ones. For the characters of the series, Mashima drew upon people he has known in his life. In establishing the father-son relationship between Natsu and Igneel, Mashima cited his father's death when he was a child as an influence. Mashima based the humorous aspects of the series on his assistants would make jokes about things that gave him ideas, as well as from both his work and daily life.
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“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (16941773)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)
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