Extreme Makeover: Home Edition - Production

Production

Two episodes in two different cities are shot at the same time (a few days apart), using two different production crews. There are also two groups of designers. Ty Pennington flies back and forth between the cities to do the "door knock", the braveheart march, and the "reveal", as well as to finish up work on his projects, which he mentions and gives walk-throughs in his magazine. The amount of work that Ty and the design team put into the house itself and the projects they take on depend mostly on the amount of filming needed to be done. In some circumstances, such as smaller makeovers or makeovers scheduled to be two-hour episodes, the lead designers lay out a general idea for their projects, and the show's backup designers take over. Generally, the lead designers are notified in advance of the makeover recipients, to enable them to start their plans ahead of time. At several makeovers, they have been criticized for never doing any work at all, and just being there to put on a show. In 2007, during the makeover for the Carter Family in Billings, Montana, a local radio DJ accused Pennington of using a spray can of grease on his face to make it look like he was really working, only to be confronted over the air by Pennington himself, who called in from the construction site. The largest piece of evidence to prove the design team's contribution to the house and the family is a severe hand injury that Ed Sanders received during a 2006 makeover in Ohio for the family of Jason Thomas. While creating a wood carving of the American flag, Sanders removed part of the guard for a hand-held wood grinder, which led to him slicing one of his hands open. Sanders took a leave of absence for nearly an entire season to recover. Pennington works on the show over 240 days out of the year, while the remaining designers work in shifts. During the production season, crew members work for two weeks, then are off for one week. The show usually begins shooting in June and goes through March or April, leaving one to two months of downtime. During the off-season, crew members occasionally work on pre-season episodes. Location managers work constantly, often spending a month in a city before selecting it as the next site.

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