In filmmaking, external rhythm (also referred to as cutting rhythm) is established by the duration of the shots that make up a scene. Lengthening or shortening the duration of the shots establishes a rhythmic pattern that can complement or contrast with the internal rhythm and content of a scene or sequence.
The kinds of transitions (e.g., cut, fade, dissolve, wipe) used from shot to shot or from scene to scene also affect the nature of the cutting rhythm.
Famous quotes containing the words external and/or rhythm:
“Nature predominates over the human will in all works of even the fine arts, in all that respects their material and external circumstances. Nature paints the best part of the picture, carves the best of the statue, builds the best part of the house, and speaks the best part of the oration.”
—Ralph Waldo Emerson (1803–1882)
“My brain sang
a rhythm I never dreamt to sing,
“I will be gay and laugh and sing,
he is going away.””
—Hilda Doolittle (1886–1961)