In filmmaking, external rhythm (also referred to as cutting rhythm) is established by the duration of the shots that make up a scene. Lengthening or shortening the duration of the shots establishes a rhythmic pattern that can complement or contrast with the internal rhythm and content of a scene or sequence.
The kinds of transitions (e.g., cut, fade, dissolve, wipe) used from shot to shot or from scene to scene also affect the nature of the cutting rhythm.
Famous quotes containing the words external and/or rhythm:
“The boundary line between self and external world bears no relation to reality; the distinction between ego and world is made by spitting out part of the inside, and swallowing in part of the outside.”
—Norman O. Brown (b. 1913)
“There are those who dance to the rhythm that is played to them, those who only dance to their own rhythm, and those who don’t dance at all.”
—José Bergamín (1895–1983)