In filmmaking, external rhythm (also referred to as cutting rhythm) is established by the duration of the shots that make up a scene. Lengthening or shortening the duration of the shots establishes a rhythmic pattern that can complement or contrast with the internal rhythm and content of a scene or sequence.
The kinds of transitions (e.g., cut, fade, dissolve, wipe) used from shot to shot or from scene to scene also affect the nature of the cutting rhythm.
Famous quotes containing the words external and/or rhythm:
“The boundary line between self and external world bears no relation to reality; the distinction between ego and world is made by spitting out part of the inside, and swallowing in part of the outside.”
—Norman O. Brown (b. 1913)
“Protestantism came and gave a great blow to the religious and ritualistic rhythm of the year, in human life. Non-conformity almost finished the deed.... Mankind has got to get back to the rhythm of the cosmos, and the permanence of marriage.”
—D.H. (David Herbert)