In filmmaking, external rhythm (also referred to as cutting rhythm) is established by the duration of the shots that make up a scene. Lengthening or shortening the duration of the shots establishes a rhythmic pattern that can complement or contrast with the internal rhythm and content of a scene or sequence.
The kinds of transitions (e.g., cut, fade, dissolve, wipe) used from shot to shot or from scene to scene also affect the nature of the cutting rhythm.
Famous quotes containing the words external and/or rhythm:
“A tempest cracked on the theatre. Quickly,
The wind beat in the roof and half the walls.
The ruin stood still in an external world.
It had been real. It was something overseas
That I remembered, something that I remembered
Overseas, that stood in an external world.”
—Wallace Stevens (1879–1955)
“My brain sang
a rhythm I never dreamt to sing,
“I will be gay and laugh and sing,
he is going away.””
—Hilda Doolittle (1886–1961)