Import and Export Formats
Awesome Animator imports and exports media files in several formats to various extents. The main ones are:
Format | File Extension | Extent |
---|---|---|
Flash Animations | SWF | Imports and exports animations, Flash, sound, FLV video, fully featured. |
Windows Video | AVI | Exports and renders animations to video with sound. Imports windows AVI files as series of bitmaps. |
Silverlight | XAML | Exports one frame only |
Scalable Vector Graphics | SVG | Exports one frame.
Import, compatible with about 99% of SVG images in the Open Clip Art Library. |
Portable Document Format | Exports frames as pages of e-book. | |
Encapsulated Postscript | EPS | Exports one frame. |
Bitmap formats | BMP, JPEG, GIF, PNG, TIFF | Exports and renders single frames or several frames as separate bitmaps.
Imports images into the animation. |
Animated GIFs | GIF | Imports animated GIFS which are imported as movieclips composed of separate bitmaps. Exports animations as animated GIFs of any size. |
Windows Metafile | EMF | Exports one frame to Windows Enhanced Metafile format. |
Flash Video | FLV | Imports Flash Video into application for output in SWF files. |
Windows Audio | WAV | Imports Windows sound files for use in animations.
Also imports of one track of MIDI files for inbuilt synthesizer. |
Motion Capture | BVH | Imports motion capture files |
HTML5 Canvas | HTML | Exports animations using the HTML5 Canvas tag and JavaScript, so it works in Safari on iOS (and many other browsers) |
Read more about this topic: Express Animator
Famous quotes containing the words import and/or export:
“Every tree sends its fibres forth in search of the Wild. The cities import it at any price. Men plow and sail for it. From the forest and wilderness come the tonics and barks which brace mankind.”
—Henry David Thoreau (18171862)
“The rumor of a great city goes out beyond its borders, to all the latitudes of the known earth. The city becomes an emblem in remote minds; apart from the tangible export of goods and men, it exerts its cultural instrumentality in a thousand phases.”
—In New York City, U.S. public relief program (1935-1943)