Evil Dead II - Production

Production

The concept of a sequel to The Evil Dead was discussed during the location shooting on the first film. Sam Raimi wanted to toss his hero, Ash, through a time portal, back into the Middle Ages. That notion eventually led to the third installment, Army of Darkness.

After the release of The Evil Dead, Raimi moved on to Crimewave, a cross between a crime film and a comedy produced by Raimi and Joel and Ethan Coen. Irvin Shapiro, a publicist who was primarily responsible for the mainstream release of The Evil Dead, suggested that they next work on an Evil Dead sequel. Raimi scoffed at the idea, expecting Crimewave to be a hit, but Shapiro put out ads announcing the sequel regardless.

After Crimewave was released to little audience or critical acclaim, Raimi and Tapert, knowing that another flop would further stall their already lagging careers, took Shapiro up on his offer. Around the same time, they met Italian movie producer Dino De Laurentiis, the owner of production and distribution company DEG. He had asked Raimi if he would direct a theatrical adaptation of the Stephen King (written under his Richard Bachman pseudonym) novel Thinner. Raimi turned down the offer, but De Laurentiis continued to be interested in the young filmmaker.

The Thinner adaptation was part of a deal between De Laurentiis and King to produce several adaptations of King's successful horror fiction. At the time, King was directing the first such adaptation, Maximum Overdrive, based on his short story "Trucks". He had dinner with a crew member who had been interviewed about the Evil Dead sequel, and told King that the film was having trouble attracting funding. Upon hearing this, King, who had written a glowing review of the first film that helped it become an audience favorite at Cannes, called De Laurentiis and asked him to fund the film.

Though initially skeptical, De Laurentiis agreed after being presented with the extremely high Italian grosses for the first film. Although Raimi and Tapert had desired $4 million for the production, they were allotted only $3.6 million. As such, the planned medieval storyline had to be scrapped.