Theatrical Work
- La voix humaine by Jean Cocteau (directed by M. Mastor)
- Lola et toi et moi (directed by N. Schmidt)
- Penthésilée & La petite Catherine Heilbronn (1987) by Heinrich von Kleist (either directed by Pierre Romans)
- Platonov (1987) by Anton Chekhov (directed by Patrice Chéreau) - Zézette
- Le retour au désert (1988) by Bernard-Marie Koltès (directed by Patrice Chéreau)
- Le conte d'hiver (1988) by William Shakespeare (directed by Luc Bondy) - Mopsa
- Chroniques d'une fin d'après-midi (1988) by Anton Chekov (directed by Pierre Romans)
- Ecrit sur l'eau (1991) by Eric Emmanuel Schmitt (directed by Niels Arestrup)
- Le sang des fraises (1992) by Catherine Bidaut (directed by Daniel Pouthier)
Read more about this topic: Eva Ionesco
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“The popularity of that baby-faced boy, who possessed not even the elements of a good actor, was a hallucination in the public mind, and a disgrace to our theatrical history.”
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“There is no mystery in a looking glass until someone looks into it. Then, though it remains the same glass, it presents a different face to each man who holds it in front of him. The same is true of a work of art. It has no proper existence as art until someone is reflected in it—and no two will ever be reflected in the same way. However much we all see in common in such a work, at the center we behold a fragment of our own soul, and the greater the art the greater the fragment.”
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