Eva Ionesco - Theatrical Work

Theatrical Work

  • La voix humaine by Jean Cocteau (directed by M. Mastor)
  • Lola et toi et moi (directed by N. Schmidt)
  • Penthésilée & La petite Catherine Heilbronn (1987) by Heinrich von Kleist (either directed by Pierre Romans)
  • Platonov (1987) by Anton Chekhov (directed by Patrice Chéreau) - Zézette
  • Le retour au désert (1988) by Bernard-Marie Koltès (directed by Patrice Chéreau)
  • Le conte d'hiver (1988) by William Shakespeare (directed by Luc Bondy) - Mopsa
  • Chroniques d'une fin d'après-midi (1988) by Anton Chekov (directed by Pierre Romans)
  • Ecrit sur l'eau (1991) by Eric Emmanuel Schmitt (directed by Niels Arestrup)
  • Le sang des fraises (1992) by Catherine Bidaut (directed by Daniel Pouthier)

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    Be reflective ... and stay away from the theater as much as you can. Stay out of the theatrical world, out of its petty interests, its inbreeding tendencies, its stifling atmosphere, its corroding influence. Once become “theatricalized,” and you are lost, my friend; you are lost.
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    If therefore my work is negative, irreligious, atheistic, let it be remembered that atheism—at least in the sense of this work—is the secret of religion itself; that religion itself, not indeed on the surface, but fundamentally, not in intention or according to its own supposition, but in its heart, in its essence, believes in nothing else than the truth and divinity of human nature.
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