Witches in Popular Culture
Especially in media aimed at children (such as fairy tales), witches are often depicted as wicked old women with wrinkled skin and pointy hats, clothed in black or purple, with warts on their noses and sometimes long claw-like fingernails. Like the Three Witches from Macbeth, they are often portrayed as concocting potions in large cauldrons. Witches typically ride through the air on a broomstick as in the Harry Potter universe or in more modern spoof versions, a vacuum cleaner as in the Hocus Pocus universe. They are often accompanied by black cats. One of the most famous modern depictions is the Wicked Witch of the West, in L. Frank Baum's The Wonderful Wizard of Oz.
Witches also appear as villains in many 19th- and 20th-century fairy tales, folk tales and children's stories, such as "Snow White", "Hansel and Gretel", "Sleeping Beauty", and many other stories recorded by the Brothers Grimm. Such folktales typically portray witches as either remarkably ugly hags or remarkably beautiful young women.
In the novel by Fernando de Rojas, Celestina is an old prostitute who commits pimping and witchcraft in order to arrange sexual relationships.
Witches may also be depicted as essentially good, as in Terry Pratchett's Discworld novels, in Hayao Miyazaki's 1989 film Kiki's Delivery Service, or the television series Charmed (1998–2006). Following the movie The Craft, popular fictional depictions of witchcraft have increasingly drawn from Wiccan practices, portraying witchcraft as having a religious basis and witches as humans of normal appearance.
Read more about this topic: European Witchcraft
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“The lowest form of popular culture—lack of information, misinformation, disinformation, and a contempt for the truth or the reality of most people’s lives—has overrun real journalism. Today, ordinary Americans are being stuffed with garbage.”
—Carl Bernstein (b. 1944)
“I know of the leafy paths that the witches take
Who come with their crowns of pearl and their spindles of wool,
And their secret smile, out of the depths of the lake....”
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—Camille Paglia (b. 1947)