European Witchcraft - Witches in Popular Culture

Witches in Popular Culture

Especially in media aimed at children (such as fairy tales), witches are often depicted as wicked old women with wrinkled skin and pointy hats, clothed in black or purple, with warts on their noses and sometimes long claw-like fingernails. Like the Three Witches from Macbeth, they are often portrayed as concocting potions in large cauldrons. Witches typically ride through the air on a broomstick as in the Harry Potter universe or in more modern spoof versions, a vacuum cleaner as in the Hocus Pocus universe. They are often accompanied by black cats. One of the most famous modern depictions is the Wicked Witch of the West, in L. Frank Baum's The Wonderful Wizard of Oz.

Witches also appear as villains in many 19th- and 20th-century fairy tales, folk tales and children's stories, such as "Snow White", "Hansel and Gretel", "Sleeping Beauty", and many other stories recorded by the Brothers Grimm. Such folktales typically portray witches as either remarkably ugly hags or remarkably beautiful young women.

In the novel by Fernando de Rojas, Celestina is an old prostitute who commits pimping and witchcraft in order to arrange sexual relationships.

Witches may also be depicted as essentially good, as in Terry Pratchett's Discworld novels, in Hayao Miyazaki's 1989 film Kiki's Delivery Service, or the television series Charmed (1998–2006). Following the movie The Craft, popular fictional depictions of witchcraft have increasingly drawn from Wiccan practices, portraying witchcraft as having a religious basis and witches as humans of normal appearance.

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Famous quotes containing the words witches, popular and/or culture:

    They say this town is full of cozenage:
    As nimble jugglers that deceive the eye,
    Dark-working sorcerers that change the mind,
    Soul-killing witches that deform the body,
    Disguised cheaters, prating mountebanks,
    And many such-like liberties of sin.
    William Shakespeare (1564–1616)

    If the Union is now dissolved it does not prove that the experiment of popular government is a failure.... But the experiment of uniting free states and slaveholding states in one nation is, perhaps, a failure.... There probably is an “irrepressible conflict” between freedom and slavery. It may as well be admitted, and our new relations may as be formed with that as an admitted fact.
    Rutherford Birchard Hayes (1822–1893)

    The aggregate of all knowledge has not yet become culture in us. Rather it would seem as if, with the progressive scientific penetration and dissection of reality, the foundations of our thinking grow ever more precarious and unstable.
    Johan Huizinga (1872–1945)