European Theater Of Operations United States Army
The European Theater of Operations, United States Army (ETOUSA) was a United States Army formation which directed U.S. Army operations in parts of Europe from 1942 to 1945. It referred to Army Ground Forces, United States Army Air Forces, and Army Service Forces operations north of Italy and the Mediterranean coast, in the European Theatre of World War II. It was bordered to the south by the North African Theater of Operations, US Army (NATOUSA), which later became the Mediterranean Theater of Operations (MTOUSA).
The term "theater of operations" was defined in the U.S. Army field manuals as "the land and sea areas to be invaded or defended, including areas necessary for administrative activities incident to the military operations". In accordance with the experience of World War I, it was usually conceived of as a large land mass over which continuous operations would take place and was divided into two chief areas-the combat zone, or the area of active fighting, and the Communications Zone, or area required for administration of the theater. As the armies advanced, both these zones and the areas into which they were divided would shift forward to new geographic areas of control.
The "European Theater of Operations, United States Army," as a military command, should not be confused with the European Theatre of World War II which is often defined to include the years before the US entered the war, the Italian campaign, the European Strategic Bombing Campaign, the European Eastern Front, all of the European Western Front in 1944 and 1945, as well and other actions which did not involve the use of American forces.
Read more about European Theater Of Operations United States Army: History, Campaigns and Operations
Famous quotes containing the words european, theater, operations, united, states and/or army:
“So in Jamaica it is the aim of everybody to talk English, act English and look English. And that last specification is where the greatest difficulties arise. It is not so difficult to put a coat of European culture over African culture, but it is next to impossible to lay a European face over an African face in the same generation.”
—Zora Neale Hurston (1891–1960)
“All I can tell you with certainty is that I, for one, have no self, and that I am unwilling or unable to perpetrate upon myself the joke of a self.... What I have instead is a variety of impersonations I can do, and not only of myself—a troupe of players that I have internalised, a permanent company of actors that I can call upon when a self is required.... I am a theater and nothing more than a theater.”
—Philip Roth (b. 1933)
“You can’t have operations without screams. Pain and the knife—they’re inseparable.”
—Jean Scott Rogers. Robert Day. Mr. Blount (Frank Pettingell)
“The United States have a coffle of four millions of slaves. They are determined to keep them in this condition; and Massachusetts is one of the confederated overseers to prevent their escape.”
—Henry David Thoreau (1817–1862)
“Institutions of higher education in the United States are products of Western society in which masculine values like an orientation toward achievement and objectivity are valued over cooperation, connectedness and subjectivity.”
—Yolanda Moses (b. 1946)
“Twenty or thirty years ago, in the army, we had a lot of obscure adventures, and years later we tell them at parties, and suddenly we realize that those two very difficult years of our lives have become lumped together into a few episodes that have lodged in our memory in a standardized form, and are always told in a standardized way, in the same words. But in fact that lump of memories has nothing whatsoever to do with our experience of those two years in the army and what it has made of us.”
—Václav Havel (b. 1936)