European Theater Of Operations United States Army
The European Theater of Operations, United States Army (ETOUSA) was a United States Army formation which directed U.S. Army operations in parts of Europe from 1942 to 1945. It referred to Army Ground Forces, United States Army Air Forces, and Army Service Forces operations north of Italy and the Mediterranean coast, in the European Theatre of World War II. It was bordered to the south by the North African Theater of Operations, US Army (NATOUSA), which later became the Mediterranean Theater of Operations (MTOUSA).
The term "theater of operations" was defined in the U.S. Army field manuals as "the land and sea areas to be invaded or defended, including areas necessary for administrative activities incident to the military operations". In accordance with the experience of World War I, it was usually conceived of as a large land mass over which continuous operations would take place and was divided into two chief areas-the combat zone, or the area of active fighting, and the Communications Zone, or area required for administration of the theater. As the armies advanced, both these zones and the areas into which they were divided would shift forward to new geographic areas of control.
The "European Theater of Operations, United States Army," as a military command, should not be confused with the European Theatre of World War II which is often defined to include the years before the US entered the war, the Italian campaign, the European Strategic Bombing Campaign, the European Eastern Front, all of the European Western Front in 1944 and 1945, as well and other actions which did not involve the use of American forces.
Read more about European Theater Of Operations United States Army: History, Campaigns and Operations
Famous quotes containing the words states army, european, theater, operations, united, states and/or army:
“I asked myself, Is it going to prevent me from getting out of here? Is there a risk of death attached to it? Is it permanently disabling? Is it permanently disfiguring? Lastly, is it excruciating? If it doesnt fit one of those five categories, then it isnt important.”
—Rhonda Cornum, United States Army Major. As quoted in Newsweek magazine, Perspectives page (July 13, 1992)
“God grant we may not have a European war thrust upon us, and for such a stupid reason too, no I dont mean stupid, but to have to go to war on account of tiresome Servia beggars belief.”
—Mary (18671953)
“Be reflective ... and stay away from the theater as much as you can. Stay out of the theatrical world, out of its petty interests, its inbreeding tendencies, its stifling atmosphere, its corroding influence. Once become theatricalized, and you are lost, my friend; you are lost.”
—Minnie Maddern Fiske (18651932)
“You cant have operations without screams. Pain and the knifetheyre inseparable.”
—Jean Scott Rogers. Robert Day. Mr. Blount (Frank Pettingell)
“You are, I am sure, aware that genuine popular support in the United States is required to carry out any Government policy, foreign or domestic. The American people make up their own minds and no governmental action can change it.”
—Franklin D. Roosevelt (18821945)
“The corporate grip on opinion in the United States is one of the wonders of the Western World. No First World country has ever managed to eliminate so entirely from its media all objectivitymuch less dissent.”
—Gore Vidal (b. 1925)
“A Jew without Jews, without Judaism, without Zionism, without Jewishness, without a temple or an army or even a pistol, a Jew clearly without a home, just the object itself, like a glass or an apple.”
—Philip Roth (b. 1933)