European Theater Of Operations United States Army
The European Theater of Operations, United States Army (ETOUSA) was a United States Army formation which directed U.S. Army operations in parts of Europe from 1942 to 1945. It referred to Army Ground Forces, United States Army Air Forces, and Army Service Forces operations north of Italy and the Mediterranean coast, in the European Theatre of World War II. It was bordered to the south by the North African Theater of Operations, US Army (NATOUSA), which later became the Mediterranean Theater of Operations (MTOUSA).
The term "theater of operations" was defined in the U.S. Army field manuals as "the land and sea areas to be invaded or defended, including areas necessary for administrative activities incident to the military operations". In accordance with the experience of World War I, it was usually conceived of as a large land mass over which continuous operations would take place and was divided into two chief areas-the combat zone, or the area of active fighting, and the Communications Zone, or area required for administration of the theater. As the armies advanced, both these zones and the areas into which they were divided would shift forward to new geographic areas of control.
The "European Theater of Operations, United States Army," as a military command, should not be confused with the European Theatre of World War II which is often defined to include the years before the US entered the war, the Italian campaign, the European Strategic Bombing Campaign, the European Eastern Front, all of the European Western Front in 1944 and 1945, as well and other actions which did not involve the use of American forces.
Read more about European Theater Of Operations United States Army: History, Campaigns and Operations
Famous quotes containing the words european, theater, operations, united, states and/or army:
“If Germany, thanks to Hitler and his successors, were to enslave the European nations and destroy most of the treasures of their past, future historians would certainly pronounce that she had civilized Europe.”
—Simone Weil (1909–1943)
“Will TV kill the theater? If the programs I have seen, save for “Kukla, Fran and Ollie,” the ball games and the fights, are any criterion, the theater need not wake up in a cold sweat.”
—Tallulah Bankhead (1903–1968)
“A sociosphere of contact, control, persuasion and dissuasion, of exhibitions of inhibitions in massive or homeopathic doses...: this is obscenity. All structures turned inside out and exhibited, all operations rendered visible. In America this goes all the way from the bewildering network of aerial telephone and electric wires ... to the concrete multiplication of all the bodily functions in the home, the litany of ingredients on the tiniest can of food, the exhibition of income or IQ.”
—Jean Baudrillard (b. 1929)
“In the United States there’s a Puritan ethic and a mythology of success. He who is successful is good. In Latin countries, in Catholic countries, a successful person is a sinner.”
—Umberto Eco (b. 1932)
“Perhaps anxious politicians may prove that only seventeen white men and five negroes were concerned in the late enterprise; but their very anxiety to prove this might suggest to themselves that all is not told. Why do they still dodge the truth? They are so anxious because of a dim consciousness of the fact, which they do not distinctly face, that at least a million of the free inhabitants of the United States would have rejoiced if it had succeeded. They at most only criticise the tactics.”
—Henry David Thoreau (1817–1862)
“Why not draft executive and management brains to prepare and produce the equipment the $21-a-month draftee must use and forget this dollar-a-year tommyrot? Would we send an army into the field under a dollar-a-year General who had to be home Mondays, Wednesdays and Fridays?”
—Lyndon Baines Johnson (1908–1973)