Life
MELUS calls Adnan's life "a study in displacement and alienation." Daughter of a Christian Greek mother and a Muslim Syrian father, she grew up speaking Greek and Turkish in a primarily Arabic-speaking society. Yet she was educated at French convent schools, and French became the language in which her early work was first written. She has also studied English from her youth, and most of her later work has been first written in this language.
Caught between languages, in her youth Adnan first found her voice through painting rather than writing. In 1996 she recalled, "Abstract art was the equivalent of poetic expression; I didn't need to use words, but colors and lines. I didn't need to belong to a language-oriented culture but to an open form of expression."
At twenty-four Adnan traveled to Paris where she received a degree in philosophy from the Sorbonne. She then traveled to America where she continued graduate studies at the University of California, Berkeley and at Harvard University. She taught philosophy of art at the Dominican University of California in San Rafael for many years, and has lectured at universities throughout the United States. She divides her time between California, France, and Lebanon.
Read more about this topic: Etel Adnan
Famous quotes containing the word life:
“If it is asserted that civilization is a real advance in the condition of man,—and I think that it is, though only the wise improve their advantages,—it must be shown that it has produced better dwellings without making them more costly; and the cost of a thing is the amount of what I will call life which is required to be exchanged for it, immediately or in the long run.”
—Henry David Thoreau (1817–1862)
“I do believe that the outward and the inward life correspond; that if any should succeed to live a higher life, others would not know of it; that difference and distance are one. To set about living a true life is to go on a journey to a distant country, gradually to find ourselves surrounded by new scenes and men; and as long as the old are around me, I know that I am not in any true sense living a new or a better life.”
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“The ancients adorned their sarcophagi with the emblems of life and procreation, and even with obscene symbols; in the religions of antiquity the sacred and the obscene often lay very close together. These men knew how to pay homage to death. For death is worthy of homage as the cradle of life, as the womb of palingenesis.”
—Thomas Mann (1875–1955)