Criticism
Historian Gérard Bouchard, who also published a book critical of Lionel Groulx, has been very critical of The Traitor and the Jew. In a letter to Le Devoir, published on May 1, 2003, he contended that only 14 of 58 quotes of Lionel Groulx in Delisle's thesis are accurate, and that the 44 other quotes contain 56 irregularities, including additions and amputations of the text, word replacements that change the meaning, and quotes that are not found in the text where Delisle claims they are. He asserts that the magnitude of inaccuracy discourages him from even considering Delisle's work as a basis for his own criticism of Groulx (Les Deux Chanoines - Contradiction et ambivalence dans la pensée de Lionel Groulx, 2003). Delisle admitted to 13 irregularities in the references of her book and later corrected citations for some of the disputed quotations. Bouchard and Delisle agree that Groulx expressed anti-semitic opinions. For Bouchard, an ardent Quebec nationalist, these opinions do not taint Groulx' scholarship, or secular Quebec nationalism, because the anti-semitism is seen as a personal bias unrelated or peripheral to Groulx' academic work. Delisle, by contrast, argues that antisemitism is an integral component of Groulx' race-based nationalism and his enthusiasm for right-wing authoritarian governments.
Read more about this topic: Esther Delisle
Famous quotes containing the word criticism:
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)
“As far as criticism is concerned, we don’t resent that unless it is absolutely biased, as it is in most cases.”
—John Vorster (1915–1983)