Erotic Furniture

Erotic furniture, represents any form of furniture that can act as an aid to sexual intercourse. Whilst almost anything can be used for this purpose, the most common form of furniture employed for sex is the bed, but couches and sofas come a close second. These are not strictly erotic furniture, as their primary use is not erotic.

Specifically designed furniture for erotic purposes can include

  • Devices for spanking and flagellation such as the Berkley Horse
  • Sex swings
  • Devices for using gravity to aid in lovemaking without the use of complicated slings.
  • Fisting slings
  • Various types of angled foam wedges or specially designed pillows that support various sex positions. See Liberator shapes for example or the ergonomically based Lovebumpers.
  • Bondage equipment such as stocks and pillories
  • Smotherboxes and other queening stools.
  • the Love Chair, a curious chair made of curved tubular steel, articulated in several ways and designed to facilitate otherwise impossible sexual acts. This device was advertised in men's magazines in the mid-1970s, and is seen in at least one of Nina Hartley's Guide to videos, but it is no longer commercially available.
  • Sawhorses, which are shaped much like the version used for carpentry, but have a sharpened edge and is primarily sat on to achieve a feeling similar to a crotch rope in bondage.

King Edward VII of the United Kingdom, who was heavily overweight, used a specially constructed "love seat" (siege d'amour) when he visited the famous brothel, Le Chabanais in Paris. The piece still exists and is exhibited at the Musée de l'Erotisme in Pigalle.

Famous quotes containing the words erotic and/or furniture:

    No hand has been allowed to touch
    The rose I hide,
    Though eyes have looked upon it and desired it.
    —Unknown. The Thousand and One Nights.

    ErPo. Erotic Poetry; the Lyrics, Ballads, Idyls, and Epics of Love—Classical to Contemporary. William Cole, ed. (1963)

    And then he would lift this finest
    of furniture to his big left shoulder
    and tuck it in and draw the bow
    so carefully as to make the music

    almost visible on the air.
    Stanley Plumly (b. 1939)