Erik Valdemar Bergman (24 November 1911, Nykarleby – 24 April 2006, Helsinki) was an influential composer of classical music from Finland.
Bergman's style ranged widely, from Romanticism in his early works (many of which he later prohibited from being performed) to modernism and primitivism, among other genres. He won the Nordic Council Music Prize in 1994 for his opera Det sjungande trädet.
Bergman studied at the Sibelius Academy in Helsinki and afterwards with Heinz Tiessen in Berlin and with Wladimir Vogel in Ascona. Since 1963 he taught composition at the Sibelius Academy, besides working until 1978 as a choir conductor. Bergman is considered a pioneer of modern music in Finland. Because of his training he was considered as a representative of the avant-garde; he developed for example the twelve-tone techniques of Arnold Schönberg learned from Wladimir Vogel. He composed song cycles, cantatas, a violin concerto, pieces for piano and for organ, a guitar suite, a chamber concert for flute, clarinet, bass clarinet, violin, viola, cello, percussion and piano and further chamber works. His Requiem for a dead poet (1970) and Colori ed improvvisazioni for orchestra (1973) gave him international recognition.
Famous quotes containing the words erik and/or bergman:
“In any case, raw aggression is thought to be the peculiar province of men, as nurturing is the peculiar province of women.... The psychologist Erik Erikson discovered that, while little girls playing with blocks generally create pleasant interior spaces and attractive entrances, little boys are inclined to pile up the blocks as high as they can and then watch them fall down: “the contemplation of ruins,” Erikson observes, “is a masculine specialty.””
—Joyce Carol Oates (b. 1938)
“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”
—Ingmar Bergman (b. 1918)