Eric Von Schmidt - Biography

Biography

Von Schmidt's father, Harold von Schmidt, was a Western painter who did illustrations for the Saturday Evening Post. Von Schmidt began selling his own artwork while still a teenager. Following a stint in the army, he won a Fulbright scholarship to study art in Florence. He moved to Cambridge, Massachusetts, in 1957, where he painted and became the center of the coffeehouse scene.

Von Schmidt shared his large repertory of traditional music, passing them along to new performers who were developing a more modern version of folk music. He influenced Tom Rush, with whom he revived and arranged the traditional song "Wasn’t That a Mighty Storm?" about the 1900 hurricane that destroyed Galveston, Texas. When he met Dylan, the two traded harmonica licks, drank red wine and played croquet. Dylan eagerly absorbed von Schmidt's voluminous knowledge of music, including folk, country and the blues. "I sang a bunch of songs, and, with that spongelike mind of his, he remembered almost all of them when he got back to New York," von Schmidt said in The Boston Globe.

Von Schmidt is widely (and erroneously) credited as the author of the song, "Baby, Let Me Follow You Down", which was for years a staple of Dylan's musical catalogue. In a spoken introduction to the song on his 1962 self-titled debut album, Dylan jokingly mentioned that he first "heard" the song from "Rick von Schmidt" and told of meeting him "in the green pastures of Harvard University." In fact, von Schmidt had adapted the song from Blind Boy Fuller and credited Reverend Gary Davis as author of "three-quarters" of the song. In 1979, he co-wrote a book of the same name about the Cambridge scene.

Among his best known and covered original compositions is the song "Joshua Gone Barbados" which depicts Ebenezer Joshua the head of labor union and head of the government of Saint Vincent (island) vacationing during a time of labor strife leading indirectly to the deaths of three men. The accuracy of Von Schmidt's characterization of Joshua's involvement in the incident has been disputed. Given that Mr. Joshua died poor and remains a revered figure on the island, his depiction in the song is probably less sympathetic than it should be. Nonetheless, the song remains a powerful evocation of the plight of the poor people of Saint Vincent.

In 1963, von Schmidt and Richard Fariña recorded in London's Dobell's Jazz Record store, with Dylan on harmonica. Two years later, The Folk Blues of Eric von Schmidt appeared atop a pile of records on the cover of Dylan's album Bringing It All Back Home.

In the liner notes for Von Schmidt's 1969 Smash album, Who Knocked The Brains Out Of The Sky? (SRS 67124), notes which also appeared on a cover sticker for Von Schmidt's 1972 Poppy album 2nd Right 3rd Row, Dylan wrote:

Of course we had heard about Eric Von Schmidt for many years. The name itself had become a password. Eventually, after standing in line to meet him, there it was – his doorstep, a rainy day, and he greeted his visitors, inviting them in. He was told how much they liked Grizzly Bear and he then invited the whole bunch to the club, where he was about to perform the thing live. "C'mon down to the club" he said – "I'm about to perform it live." We accepted the invitation. And that is what his record is. An invitation. An invitation to the glad, mad, sad, biting, exciting, frightening, crabby, happy, enlightening, hugging, chugging world of Eric Von Schmidt. For here is a man who can sing the bird off the wire and the rubber off the tire. He can separate the men from the boys and the note from the noise. The bridle from the saddle and the cow from the cattle. He can play the tune of the moon. The why of the sky and the commotion from the ocean. Yes he can.