Public Works of Art
- The Urn of the Mines district iron ore 109 cm of height (1921–22), Gothenburg. This Urn has been manufacturerd by Näfvekvarns bruk ([Näfvekvarn Iron Works) in a series and has been purchased by a number of Swedish museums
- Faunfigur, Faun figure (1923), Hotel Liseberg, Gothenburg
- Statues at the Norra Kungstornet Building (1925), Kungsgatan in Stockholm
- Relief above the entrance of the Art Exhibition Building in Falun (1936)
- Folkvisan, The Folk song (1937), Bromma High School in Stockholm, Liseberg Amusement Park in Gothenburg, Bäckängsgymnasiet in Borås
- Årstiderna, The Seasons limestone (1937–41), Rosenbad (The Government Chancellery), Stockholm
- Folket och tekniken, The People and the Technology, part of a relief in chamotte clay (1937), decoration for the World Exhibition in Paris 1937, Runö Training Centre, Åkersberga
- De fyra vindarna, The Four Winds (1937–41), four reliefs at front of the extension of the City Hall of Gothenburg by Gunnar Asplund
- Badet, The Bath and Nereid two reliefs in terracotta (1943), The City Swimming Hall of Trelleborg
- Sommaren, The Summer or Ung man, Young Man granite 224 cm of height (1944), Lundby, Gothenburg
- Våren, The Spring bronce 125 cm of height (1944), Härlanda, Gothenburg and Museum Park in Alingsås
- Anadyomene (1947–52), Hudiksvall
- Förvandlingarnas brunn, The Fountain of Transformation" granite (1943-55), the Marabou Park in Sundbyberg
- Navigare necesse est bronze 1953, Rödaberg Primary School, Stockholm
- Liggande kvinna, Declining Woman (ca 1954) bronze in a fountain, Västertorp Centre, Stockholm
- Trädet, The Tree (ca 1954) bronze, Västertorp Centre, Stockholm
- Två dansande. Two Dancers (1955), Byttorpskolan (school) in Borås
- Vindarnas grotta, Cave of the Winds (1960-71), outside the City Hall of Västerås by Sven Ahlbom
- Monument över Yxman, Monument over an Axe Man bronze 3,5 m of height (raised 1967), Rålambshov Park, Stockholm. A replica in a minor format is situated at Blockhusudden at Djurgården in Stockholm
- Gudinna vid hyperboreiskt hav, Goddess by an Hyperborean Sea granite in a fountain 4 m long (1949-56), City Hall Square in Gävle.
- Entomologiskt kvinnorov, Entomological Raping bronze (1956-58), Royal Institute of Medicine, Solna
- Snäckfågel, Shell Bird bronce 255 cm of height (1960-61), outside Hotel Opalen, Gothenburg and the Central Square in Eslöv
- Silvatica bronze, the Esplanade in Nässjö
- Nike från Sant Andria, Nike from Sant Andria bronze 206 cm of height (1967-68), outside the Public Library in Norrköping
- Sparvguden, The God of Sparrows (1972-73), Eric Grate´s Park outside the City Hall of Solna
- Hjärtblad (1974), Cotyledones, outside the Regional Council Head Quarter Building in Kristianstad
Read more about this topic: Eric Grate
Famous quotes containing the words works of art, public, works and/or art:
“We all agree nowby we I mean intelligent people under sixtythat a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (18811962)
“The extravagant expenditure of public money is an evil not to be measured by the value of that money to the people who are taxed for it.”
—Chester A. Arthur (18291886)
“Your hooves have stamped at the black margin of the wood,
Even where horrible green parrots call and swing.
My works are all stamped down into the sultry mud.”
—William Butler Yeats (18651939)
“...that absolutely everything beloved and cherished of the bourgeoisie, the conservative, the cowardly, and the impotentthe State, family life, secular art and sciencewas consciously or unconsciously hostile to the religious idea, to the Church, whose innate tendency and permanent aim was the dissolution of all existing worldly orders, and the reconstitution of society after the model of the ideal, the communistic City of God.”
—Thomas Mann (18751955)