Public Works of Art
- The Urn of the Mines district iron ore 109 cm of height (1921–22), Gothenburg. This Urn has been manufacturerd by Näfvekvarns bruk ([Näfvekvarn Iron Works) in a series and has been purchased by a number of Swedish museums
- Faunfigur, Faun figure (1923), Hotel Liseberg, Gothenburg
- Statues at the Norra Kungstornet Building (1925), Kungsgatan in Stockholm
- Relief above the entrance of the Art Exhibition Building in Falun (1936)
- Folkvisan, The Folk song (1937), Bromma High School in Stockholm, Liseberg Amusement Park in Gothenburg, Bäckängsgymnasiet in Borås
- Årstiderna, The Seasons limestone (1937–41), Rosenbad (The Government Chancellery), Stockholm
- Folket och tekniken, The People and the Technology, part of a relief in chamotte clay (1937), decoration for the World Exhibition in Paris 1937, Runö Training Centre, Åkersberga
- De fyra vindarna, The Four Winds (1937–41), four reliefs at front of the extension of the City Hall of Gothenburg by Gunnar Asplund
- Badet, The Bath and Nereid two reliefs in terracotta (1943), The City Swimming Hall of Trelleborg
- Sommaren, The Summer or Ung man, Young Man granite 224 cm of height (1944), Lundby, Gothenburg
- Våren, The Spring bronce 125 cm of height (1944), Härlanda, Gothenburg and Museum Park in Alingsås
- Anadyomene (1947–52), Hudiksvall
- Förvandlingarnas brunn, The Fountain of Transformation" granite (1943-55), the Marabou Park in Sundbyberg
- Navigare necesse est bronze 1953, Rödaberg Primary School, Stockholm
- Liggande kvinna, Declining Woman (ca 1954) bronze in a fountain, Västertorp Centre, Stockholm
- Trädet, The Tree (ca 1954) bronze, Västertorp Centre, Stockholm
- Två dansande. Two Dancers (1955), Byttorpskolan (school) in Borås
- Vindarnas grotta, Cave of the Winds (1960-71), outside the City Hall of Västerås by Sven Ahlbom
- Monument över Yxman, Monument over an Axe Man bronze 3,5 m of height (raised 1967), Rålambshov Park, Stockholm. A replica in a minor format is situated at Blockhusudden at Djurgården in Stockholm
- Gudinna vid hyperboreiskt hav, Goddess by an Hyperborean Sea granite in a fountain 4 m long (1949-56), City Hall Square in Gävle.
- Entomologiskt kvinnorov, Entomological Raping bronze (1956-58), Royal Institute of Medicine, Solna
- Snäckfågel, Shell Bird bronce 255 cm of height (1960-61), outside Hotel Opalen, Gothenburg and the Central Square in Eslöv
- Silvatica bronze, the Esplanade in Nässjö
- Nike från Sant Andria, Nike from Sant Andria bronze 206 cm of height (1967-68), outside the Public Library in Norrköping
- Sparvguden, The God of Sparrows (1972-73), Eric Grate´s Park outside the City Hall of Solna
- Hjärtblad (1974), Cotyledones, outside the Regional Council Head Quarter Building in Kristianstad
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Famous quotes containing the words works of art, public works, public, works and/or art:
“The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
—Herman Melville (18191891)
“The knowledge of an unlearned man is living and luxuriant like a forest, but covered with mosses and lichens and for the most part inaccessible and going to waste; the knowledge of the man of science is like timber collected in yards for public works, which still supports a green sprout here and there, but even this is liable to dry rot.”
—Henry David Thoreau (18171862)
“I am not building here a statue to erect at the town crossroads, or in a church or a public square.... This is for a nook in a library, and to amuse a neighbor, a relative, a friend, who may take pleasure in associating and conversing with me.”
—Michel de Montaigne (15331592)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)
“One of the greatest difficulties in civil war is, that more art is required to know what should be concealed from our friends, than what ought to be done against our enemies.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (16941773)