Saviour Machine
Eric Clayton's most ambitious work has been Saviour Machine, which released two studio albums Saviour Machine I (1993) and Saviour Machine II (1994) before starting the Legend trilogy that strictly focuses on the end times, Book of Revelation and prophecies about the biblical apocalypse. The band has also released a compilation album titled Synopsis (2003), the live albums Live in Deutschland 1995 and Live in Deutschland 2002. Both were also filmed and released on VHS and DVD format. The band was originally signed to Christian metal label Frontline Records but gothic metal in all its visual appearance was misunderstood in US Christian scenes, and eventually Saviour Machine began work with MCM Music and Massacre Records, labels based in Germany where the band was more popular than in US. In 1997 Saviour Machine performed at Wacken Open Air, the biggest exclusively metal music festival in the world.
Currently, Eric Clayton is working on the last album in the Legend series, Legend Part III:II, which will also be the last Saviour Machine album. The album was supposed to be released on July 7, 2007, but was postponed due to Clayton's esophageal condition called Barrett's Esophagus which was diagnosed in 2004 but eventually got worse.
Clayton has compiled The Collective Journals (1997–2009) released in 2010 available at the band website.
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Famous quotes containing the words saviour and/or machine:
“‘Twas mercy brought me from my Pagan land,
Taught my benighted soul to understand
That there’s a God, that there’s a Saviour too:
Once I redemption neither sought nor knew.
Some view our sable race with scornful eye,
“Their color is a diabolic die.”
Remember, Christians, Negroes, black as Cain,
May be refin’d, and join th’ angelic train.”
—Phillis Wheatley (c. 1753–1784)
“... in the fierce competition of modern society the only class left in the country possessing leisure is that of women supported in easy circumstances by husband or father, and it is to this class we must look for the maintenance of cultivated and refined tastes, for that value and pursuit of knowledge and of art for their own sakes which can alone save society from degenerating into a huge machine for making money, and gratifying the love of sensual luxury.”
—Mrs. H. O. Ward (1824–1899)