Epitaphs in Music
In a more figurative sense, music in memory of deceased people has been composed. Igor Stravinsky composed in 1958 Epitaphium for flute, clarinet and harp. In 1967 Krzysztof Meyer called his Symphony No. 2 for choir and orchestra Epitaphium Stanisław Wiechowicz in memoriam. Jeffrey Lewis composed Epitaphium — Children of the Sun for narrator, chamber choir, piano, flute, clarinet and percussion. Bronius Kutavičius composed in 1998 Epitaphium temporum pereunti. Valentin Silvestrov composed in 1999 Epitaph L.B. (Епітафія Л.Б.) for viola (or cello) and piano. In 2007 Graham Waterhouse composed Epitaphium for string trio as a tribute to the memory of his father William Waterhouse.
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Famous quotes containing the words epitaphs and/or music:
“Here lies the body of Sir John Guise.
Nobody laughs, and nobody cries;
Where his soul is and how it fares
Nobody knows and nobody cares.”
—Anonymous. From Frobisher’s New Select Collection of Epitaphs (c. 1791)
“The train was crammed, the heat stifling. We feel out of sorts, but do not quite know if we are hungry or drowsy. But when we have fed and slept, life will regain its looks, and the American instruments will make music in the merry cafe described by our friend Lange. And then, sometime later, we die.”
—Vladimir Nabokov (1899–1977)