Production and Development
After Selena released Ven Conmigo on 12 November 1990, she decided to postpone the recording of songs for her next album. Selena continued her short-lived Ven Conmgio Tour and she was booked for her first performance in El Salvador to sing a duet with Salvadoran singer Álvaro Torres' corrido-ballad "Buenos Amigos". At that time, Selena was also involved in a relationship with rock guitarist Chris Pérez, who was asked to join Selena's backing band, Selena y Los Dinos. Their relationship began soon after Pérez joined the band. Selena's father and manager Abraham Quintanilla Jr. did not like Pérez, believing him to be antithesis of his children's "clean image", and dismissed Pérez from the band. Selena was warned not to see Pérez or face having Selena y Los Dinos disbanded. Selena ignored her father's wishes; she continued to meet Pérez secretly, and they eloped on 2 April 1992. Quintanilla Jr., accepted the relationship after she eloped and was remorseful, feeling that he had put pressure on Selena. After Selena had eloped, she decided to release a more Tejano and Mexican music-influenced album. Her brother and the producer of her music, A.B. Quintanilla III had returned as the main songwriter while band members Ricky Vela, the lead keyboardist, and Pete Astudillo, the backup singer, had helped with songwriting on the album. Vela was also in charge of the music sequencing during pre-production of the album.
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Famous quotes containing the words production and, production and/or development:
“Production and consumption are the nipples of modern society. Thus suckled, humanity grows in strength and beauty; rising standard of living, all modern conveniences, distractions of all kinds, culture for all, the comfort of your dreams.”
—Raoul Vaneigem (b. 1934)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“The work of adult life is not easy. As in childhood, each step presents not only new tasks of development but requires a letting go of the techniques that worked before. With each passage some magic must be given up, some cherished illusion of safety and comfortably familiar sense of self must be cast off, to allow for the greater expansion of our distinctiveness.”
—Gail Sheehy (20th century)