Music Style and Influences
Entity Paradigm is one of the first bands in Pakistan to have two vocalists and two drummers and up to eight members in a band. Entity Paradigm is a fusion of different elements in music like alternative rock, rapcore and progressive rock, all of which merge in unique consonance to create a raw, new sound, never heard before in Pakistan. In this regard their tracks are considered to be highly experimental within the boundaries of commercialism since the sound manages to appeal to the new generation of Pakistani listeners that have cut their teeth on bands like Linkin Park, Staind and so on and so forth.
The band works on the belief that their music, their lyrics, should tell a story, tender a philosophy and above all else – inspire and instigate change. Inducing metamorphosis in thought and perception is what the band aims for through its music. The band's tracks are characterized by dark, melancholy, ambient preludes and interludes, pulsating drum beats, electronica, like scratches and other sound-effects, reverberating vocals and raw, scathing guitar riffs backed up by delicate string work on the rhythms. All of which makes for a very magnified soundscape – a creative effort that thrives on the diversity, dissonance and varying backgrounds that each of the members of the band bring to it. Their music consisted of themes of self-reflection and existentialism.
In concerts the band has covered songs by artists as varied as Limp Bizkit, Rage Against the Machine, Sajjad Ali, Justin Timberlake, Tool, Oleander and System Of A Down.
Read more about this topic: Entity Paradigm
Famous quotes containing the words music, style and/or influences:
“For the introduction of a new kind of music must be shunned as imperiling the whole state; since styles of music are never disturbed without affecting the most important political institutions.”
—Plato (c. 427–347 B.C.)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)
“However diligent she may be, however dedicated, no mother can escape the larger influences of culture, biology, fate . . . until we can actually live in a society where mothers and children genuinely matter, ours is an essentially powerless responsibility. Mothers carry out most of the work orders, but most of the rules governing our lives are shaped by outside influences.”
—Mary Kay Blakely (20th century)