Enta Da Stage - Reception

Reception

Professional ratings
Review scores
Source Rating
Allmusic
Rolling Stone
The Source
Vibe (favorable)
The Village Voice (mixed)
Washington City Paper (favorable)

Enta da Stage has received generally favorable reviews from most music critics and publications. Allmusic gave the album 4½ stars out of 5, while The Source gave it 4 out of 5 Mics. In 1998, the album was selected as one of The Source's 100 Best Rap Albums, and former Source magazine writer Cheo H. Coker stated in their November 1993 issue:

Enta da Stage is a stunning debut that does not disappoint by any stretch of the imagination. The only term that adequately describes Black Moon's smooth combination of funky jazz rhythms and ferocious vocals is 'elegant madness.' It's nice to see that there are still shining spots of originality to be found in a genre that's becoming increasingly overrun by bogus bandwagon jumpers just out to make a quick buck. Make this jammie a priority.

Though praised for its originality and production, Enta da Stage has also seen criticism for its monotony and lack of lyrical substance. Rolling Stone magazine gave the album a 3-star rating, and criticized the release for "ignorance", and claimed that the release failed to capitalize on its promise, stating that "They leave blank the ultimate canvas - the self." In naming it the fourth greatest album on About.com's list of the Best Rap Albums of 1993, columnist Henry Adaso wrote of the album favorably, stating "Unlike most hip-hop albums of its era, Enta Da Stage eschewed confrontational raps and opted for brooding, electrifying brand of hip-hop."

Read more about this topic:  Enta Da Stage

Famous quotes containing the word reception:

    He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!
    Billy Wilder (b. 1906)

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
    Walter Pater (1839–1894)

    I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.”
    Gerald R. Ford (b. 1913)