Works
Three things are characteristic of Sagnier’s work: he was very prolific; he was always ready to adopt new technologies; and he eschewed a rigidly personal style, preferring to adapt to changing tastes. His career can be divided into three periods: before 1900 his work was eclectic, monumental and grandiose; from 1900 to 1910 he turned to softer decorative forms in his architecture, adopting a Modernista style; and after 1910 he veered towards Neoclassicism, shunning the architectural trends of the moment.
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“A complete woman is probably not a very admirable creature. She is manipulative, uses other people to get her own way, and works within whatever system she is in.”
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“Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
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