Enoch L. Johnson - Television

Television

Premiering September 19, 2010, an HBO series titled Boardwalk Empire fictionalizes the life and times of "Nucky Thompson," along with other players, at the start of the Prohibition era in Atlantic City. The series is produced by Martin Scorsese and Mark Wahlberg and stars Steve Buscemi as Nucky Thompson, a fictionalized version of Johnson. Show creator Terence Winter elected to portray a fictionalized version of Johnson, to give the writers creative license with history, and to maintain suspense. One great difference between the real Johnson and the fictional Thompson is that the real Johnson is not known to have killed anyone personally, as the fictional Thompson has done; there is also no evidence that Johnson ever ordered someone to be killed. Also, Thompson is portrayed as running his distillery for bootlegging and competing directly with real-life gangsters, whereas the real Johnson took a cut of all illegal alcohol sold in Atlantic City but was never known to engage in competition or turf wars with organized crime. Johnson did not remarry until 1941, after his wife's death in 1912; in the show Thompson remarries in 1921.

Read more about this topic:  Enoch L. Johnson

Famous quotes containing the word television:

    What is a television apparatus to man, who has only to shut his eyes to see the most inaccessible regions of the seen and the never seen, who has only to imagine in order to pierce through walls and cause all the planetary Baghdads of his dreams to rise from the dust.
    Salvador Dali (1904–1989)

    Cultural expectations shade and color the images that parents- to-be form. The baby product ads, showing a woman serenely holding her child, looking blissfully and mysteriously contented, or the television parents, wisely and humorously solving problems, influence parents-to-be.
    Ellen Galinsky (20th century)

    Photographs may be more memorable than moving images because they are a neat slice of time, not a flow. Television is a stream of underselected images, each of which cancels its predecessor. Each still photograph is a privileged moment, turned into a slim object that one can keep and look at again.
    Susan Sontag (b. 1933)