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Performed by Martha Goldstein
English Suite No. 1 in A major – Allemande
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Performed by Martha Goldstein
English Suite No. 1 in A major – Courante I
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Performed by Martha Goldstein
English Suite No. 1 in A major – Courante II
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Performed by Martha Goldstein
English Suite No. 1 in A major – Double I
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Performed by Martha Goldstein
English Suite No. 1 in A major – Double II
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Performed by Martha Goldstein
English Suite No. 1 in A major – Sarabande
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Performed by Martha Goldstein
English Suite No. 1 in A major – Bouree I and II
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Performed by Martha Goldstein
English Suite No. 1 in A major – Gigue
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Performed by Martha Goldstein
English Suite No. 3 in G minor – Prelude
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Performed by Martha Goldstein
English Suite No. 3 in G minor – Allemande
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Performed by Martha Goldstein
English Suite No. 3 in G minor – Courante
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Performed by Martha Goldstein
English Suite No. 3 in G minor – Sarabande
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Performed by Martha Goldstein
English Suite No. 3 in G minor – Gavotte I and II
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Performed by Martha Goldstein
English Suite No. 3 in G minor – Gigue
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“Never before has a generation of parents faced such awesome competition with the mass media for their children’s attention. While parents tout the virtues of premarital virginity, drug-free living, nonviolent resolution of social conflict, or character over physical appearance, their values are daily challenged by television soaps, rock music lyrics, tabloid headlines, and movie scenes extolling the importance of physical appearance and conformity.” —Marianne E. Neifert (20th century)
“The media no longer ask those who know something ... to share that knowledge with the public. Instead they ask those who know nothing to represent the ignorance of the public and, in so doing, to legitimate it.” —Serge Daney (1944–1992)
“Today the discredit of words is very great. Most of the time the media transmit lies. In the face of an intolerable world, words appear to change very little. State power has become congenitally deaf, which is why—but the editorialists forget it—terrorists are reduced to bombs and hijacking.” —John Berger (b. 1926)