Reception
The film was poorly received in the former Soviet Union. Some Red Army Stalingrad veterans were so offended by inaccuracies in the film and how the Red Army was portrayed that on 7 May 2001, shortly after the film premiered in Russia, they expressed their displeasure in the Duma, demanding a ban of the film, but their request wasn't satisfied.
The film was received poorly in Germany. Critics claimed that it simplified history and glorified war. At the Berlinale film festival, it was booed. Annaud stated afterwards that he would not present another film at Berlinale, calling it a "slaughterhouse" and claiming that his film received much better reception elsewhere.
In the United States, the film received mixed reviews; the most common complaint among even the positive reviews was over the inclusion of what was seen as an unnecessary love-story that detracted from the main plot. Roger Ebert gave the film three stars out of four and wrote that it "is about two men placed in a situation where they have to try to use their intelligence and skills to kill each other. When Annaud focuses on that, the movie works with rare concentration. The additional plot stuff and the romance are kind of a shame". New York Magazine's Peter Ranier was less kind, declaring "It's as if an obsessed film nut had decided to collect every bad war-film convention on one computer and programme it to spit out a script."
The Russo-German writer Wladimir Kaminer played an extra as a Soviet soldier in the film. In his book Russian Disco (2000), Kaminer criticises how the Soviet soldiers are portrayed as hooligans getting drunk and playing farting games.
Read more about this topic: Enemy At The Gates
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