"Empire State Human" is a song by the British Synthesizer group The Human League. The song was written by Philip Oakey, Martyn Ware and Ian Craig Marsh. It was produced by Colin Thurston, and recorded at Monumental Studios in Sheffield. It was used in the 2012 video game Lollipop Chainsaw in a minigame for the retro stage, and also featured on the game's original soundtrack.
The song was the third single to be released by the original line-up of the Human League, and the first and only single from the band's 1979 debut album Reproduction. Upon its first release in October 1979, the single failed to chart. However, it was re-released in June 1980 and fared slightly better, reaching number 62. For the re-release, Virgin Records included a free copy of the single "Only After Dark" with the first 15,000 copies as a sweetener.
Lyrically, "Empire State Human" is a song about becoming powerful using the analogy of size, with Oakey declaring that he wants to be "tall" a total of 60 times in 3 minutes. Uncut magazine drew a comparison with Oakey's own personal ambition:
| “ | "I wanna be tall, tall, tall, as big as a wall, wall, wall". Oakey's Nietzschian pop fantasy reflected his own burgeoning full-on pop ambitions... | ” |
The B-side, "Introducing", is an instrumental. Oakey sang on the original recording but the vocals were not used on the released version.
The open shirted man on the cover artwork is in fact Ian Craig Marsh's father.
Famous quotes containing the words empire, state and/or human:
“Positively I sit here, and look at Europe sink, first one deck disappearing, then another, and the whole ship slowly plunging bow-down into the abyss; until the nightmare gets to be howling. The Roman Empire was a trifle to it.”
—Henry Brooks Adams (1838–1918)
“There is nothing worse than an idle hour, with no occupation offering. People who have many such hours are simply animals waiting docilely for death. We all come to that state soon or late. It is the curse of senility.”
—H.L. (Henry Lewis)
“When human beings have been fascinated by the contemplation of their own hearts, the more intricate biological pattern of the female has become a model for the artist, the mystic, and the saint. When mankind turns instead to what can be done, altered, built, invented, in the outer world, all natural properties of men, animals, or metals become handicaps to be altered rather than clues to be followed.”
—Margaret Mead (1901–1978)