Work
Emmy Bridgwater's work in the 1930s and 1940s largely consisted of paintings and pen and ink drawings. Her personal iconography often featured organic imagery such as birds, eggs, leaves, fruit and tendril-like automatist lines depicted with a sense of "surrealist black humour and violence", often within a dreamlike landscape. From the 1970s onwards she also worked in collage.
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“Not rarely, and this is especially true of wives and mothers, the motive behind assuming a disproportionate share of work and responsibility is completely unselfish. We want to protect, to spare those of whom we are fond. We forget that, regardless of the motive, the results of such action are almost always destructive and unproductive.”
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