Work
Emmy Bridgwater's work in the 1930s and 1940s largely consisted of paintings and pen and ink drawings. Her personal iconography often featured organic imagery such as birds, eggs, leaves, fruit and tendril-like automatist lines depicted with a sense of "surrealist black humour and violence", often within a dreamlike landscape. From the 1970s onwards she also worked in collage.
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“Perpetual modernness is the measure of merit, in every work of art; since the author of it was not misled by anything short- lived or local, but abode by real and abiding traits.”
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