Work
Emmy Bridgwater's work in the 1930s and 1940s largely consisted of paintings and pen and ink drawings. Her personal iconography often featured organic imagery such as birds, eggs, leaves, fruit and tendril-like automatist lines depicted with a sense of "surrealist black humour and violence", often within a dreamlike landscape. From the 1970s onwards she also worked in collage.
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“The truth of the thoughts that are here set forth seems to me unassailable and definitive. I therefore believe myself to have found, on all essential points, the final solution of the problems. And if I am not mistaken in this belief, then the second thing in which the value of this work consists is that it shows how little is achieved when these problems are solved.”
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