Style and Aesthetics
Gowin has acknowledged that the photographs of Eugene Atget, Bill Brandt, Walker Evans, Robert Frank, Alfred Stieglitz, and especially Harry Callahan and Frederick Sommer have influenced him.
Most of his early family pictures were taken with a 4 X 5 camera on a tripod, a situation in which he said "both the sitter and photographer look at each other, and what they both see and feel is part of the picture." These photos feel both posed and highly intimate at the same time, often capturing seemingly long and direct stares from his wife or her family members or appearing to intrude on a personal family moment. Gowin once said that "the coincidence of the many things that fit together to make a picture is singular. They occur only once. The never occur for you in quite the same way that they occur for someone else, so that in the tiny differences between them you can reemploy a model or strategy that someone else has used and still reproduce an original picture. Those things that do have a distinct life of their own strike me as being things coming to you out of life itself."
In an essay for the catalog for an exhibition of his work at Yale University, writer Terry Tempest Williams said "Emmet Gowin has captured on film the state of our creation and, conversely, the beauty of our losses. And it is full of revelations."
Read more about this topic: Emmet Gowin
Famous quotes containing the words style and/or aesthetics:
“One who has given up any hope of winning a fight or has clearly lost it wants his style in fighting to be admired all the more.”
—Friedrich Nietzsche (1844–1900)
“For aesthetics is the mother of ethics.... Were we to choose our leaders on the basis of their reading experience and not their political programs, there would be much less grief on earth. I believe—not empirically, alas, but only theoretically—that for someone who has read a lot of Dickens to shoot his like in the name of an idea is harder than for someone who has read no Dickens.”
—Joseph Brodsky (b. 1940)