Emily Shanks - Paintings

Paintings

  • 'In the colors' (Portrait of the daughter of Vasily Polenov), (between 1890-1900), oil on canvas - private Collection.

  • 'Girl', (between 1880-1915), oil on canvas, - Private Collection.

  • 'Girl picking cucumbers', oil on canvas - Private Collection.

  • 'New Girl at School' (1892), oil on canvas - The State Tretyakov Gallery.

  • 'Employing a Governess'', oil on canvas - Tyumen Regional Museum of Fine Arts.

  • 'Ear Inspection'', oil on canvas - Chelmsford Museum

Other paintings:

  • The Lesson (1887), privately owned
  • Older brother, exhibited with the Peredvizhniki in 1891, location unknown
  • The Challenge, location unknown
  • Inkspot, exhibited with the Peredvizhniki in 1894, location unknown
  • My Favourite Doll, unknown owner and unknown date
  • Work in the Syzransky Museum, Samara
  • Double Portrait of Aylmer Maude and Stella Meldrum, privately owned
  • A Bit of Moscow, exhibited Royal Academy 1916
  • Peaceful Moscow exhibited Royal Academy 1918
  • Portrait of Aylmer Maude, privately owned
  • Portrait of Nial McLeland, around 1895, privately owned
  • Portrait of Natalia Vasilievna Polenova (1858 – 1931), wife of Vasily Polenov, 1894, Polenovo museum
  • Tsarina's Golden Chamber, depicts the Tsarina's Golden Chamber, privately owned

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Famous quotes containing the word paintings:

    “All photographs are there to remind us of what we forget. In this—as in other ways—they are the opposite of paintings. Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.”
    —John Berger (b. 1926)

    “the great orange bed where we lie
    like two frozen paintings in a field of poppies.”
    —Anne Sexton (1928–1974)

    “The invention of photography provided a radically new picture-making process—a process based not on synthesis but on selection. The difference was a basic one. Paintings were made—constructed from a storehouse of traditional schemes and skills and attitudes—but photographs, as the man on the street put, were taken.”
    —Jean Szarkowski (b. 1925)