Works
- Reata; or What's in a Name, Edinburgh and London: William Blackwood and Sons, 1880.
- Beggar My Neighbor, Edinburgh and London: William Blackwood and Sons, 1882.
- The Waters of Hercules, Edinburgh and London: William Blackwood and Sons, 1885.
(these first three novels are all under the name "E.D. Gerard" - a collaborative pen name of Emily and her sister Dorothea Gerard)
- "Transylvanian Superstitions." The Nineteenth Century, 1885, p. 128-144.
- The Land Beyond the Forest: Facts, Figures, and Fancies from Transylvania, New York: Harper & Brothers, 1888.
- Bis, 1890.
- A Secret Mission, 1891.
- A Sensitive Plant, 1891. (as "E.D. Gerard" in collaboration with Dorothea Gerard.)
- The Voice of a Flower, 1893.
- A Foreigner, 1896.
- An Electric Shock, 1897.
- Tragedy of a Nose, 1898.
- The Extermination of Love: A fragmentary study in erotics, Edinburgh and London: William Blackwood and Sons, 1901.
- The Heron's Tower, 1904.
- Honour's Glassy Bubble, A Story of Three Generations, 1906. (Posthumously published.)
Aside from the collaborations, she was most commonly identified as "E. Gerard" on the title pages of these works.
Read more about this topic: Emily Gerard
Famous quotes containing the word works:
“We all agree nowby we I mean intelligent people under sixtythat a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (18811962)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 18931993)
“Most works of art, like most wines, ought to be consumed in the district of their fabrication.”
—Rebecca West (18921983)