Emily Carr - Focus Shift and Late Life

Focus Shift and Late Life

Carr suffered a heart-attack in 1937, and another in 1939, forcing her to move in with her sister Alice to convalesce. In 1940 Carr suffered a serious stroke, and in 1942 she had another heart attack. With her ability to travel curtailed, Carr's focus shifted from her painting to her writing. The assistance of Carr's friend Ira Dilworth, principal of Victoria High School, enabled Carr to see her own first book, Klee Wyck, published in 1941. Carr was awarded the Governor-General's Award for non-fiction the following year for the work.

Emily Carr suffered her last heart attack and died on March 2, 1945, in the James Bay Inn in her hometown of Victoria, British Columbia, shortly before she was to have been awarded an honorary doctorate by the University of British Columbia.

Read more about this topic:  Emily Carr

Famous quotes containing the words focus, shift, late and/or life:

    When Western people train the mind, the focus is generally on the left hemisphere of the cortex, which is the portion of the brain that is concerned with words and numbers. We enhance the logical, bounded, linear functions of the mind. In the East, exercises of this sort are for the purpose of getting in tune with the unconscious—to get rid of boundaries, not to create them.
    Edward T. Hall (b. 1914)

    “Circumstantial evidence is a very tricky thing,” answered Holmes thoughtfully. “It may seem to point very straight to one thing, but if you shift your own point of view a little, you may find it pointing in an equally uncompromising manner to something entirely different.”
    Sir Arthur Conan Doyle (1859–1930)

    It is too late in the century for women who have received the benefits of co-education in schools and colleges, and who bear their full share in the world’s work, not to care who make the laws, who expound and who administer them.
    J. Ellen Foster (1840–1910)

    Music is of two kinds: one petty, poor, second-rate, never varying, its base the hundred or so phrasings which all musicians understand, a babbling which is more or less pleasant, the life that most composers live.
    HonorĂ© De Balzac (1799–1850)