Emily Carr - Focus Shift and Late Life

Focus Shift and Late Life

Carr suffered a heart-attack in 1937, and another in 1939, forcing her to move in with her sister Alice to convalesce. In 1940 Carr suffered a serious stroke, and in 1942 she had another heart attack. With her ability to travel curtailed, Carr's focus shifted from her painting to her writing. The assistance of Carr's friend Ira Dilworth, principal of Victoria High School, enabled Carr to see her own first book, Klee Wyck, published in 1941. Carr was awarded the Governor-General's Award for non-fiction the following year for the work.

Emily Carr suffered her last heart attack and died on March 2, 1945, in the James Bay Inn in her hometown of Victoria, British Columbia, shortly before she was to have been awarded an honorary doctorate by the University of British Columbia.

Read more about this topic:  Emily Carr

Famous quotes containing the words focus, shift, late and/or life:

    If your child is going to develop a healthy personality with the capacity to remain intact and grow, she must learn how to test reality, regulate her impulses, stabilize her moods, integrate her feelings and actions, focus her concentration and plan.
    Stanley I. Greenspan (20th century)

    Ghosts, we hope, may be always with us—that is, never too far out of the reach of fancy. On the whole, it would seem they adapt themselves well, perhaps better than we do, to changing world conditions—they enlarge their domain, shift their hold on our nerves, and, dispossessed of one habitat, set up house in another. The universal battiness of our century looks like providing them with a propitious climate ...
    Elizabeth Bowen (1899–1973)

    It is the Late city that first defies the land, contradicts Nature in the lines of its silhouette, denies all Nature. It wants to be something different from and higher than Nature. These high-pitched gables, these Baroque cupolas, spires, and pinnacles, neither are, nor desire to be, related with anything in Nature. And then begins the gigantic megalopolis, the city-as-world, which suffers nothing beside itself and sets about annihilating the country picture.
    Oswald Spengler (1880–1936)

    Without poets, without artists, men would soon weary of nature’s monotony. The sublime idea men have of the universe would collapse with dizzying speed. The order which we find in nature, and which is only an effect of art, would at once vanish. Everything would break up in chaos. There would be no seasons, no civilization, no thought, no humanity; even life would give way, and the impotent void would reign everywhere.
    Guillaume Apollinaire (1880–1918)