Media
Emerging adulthood is not just an idea being talked about by psychologists, the media has begun to propagate the concept as well. Hollywood has produced multiple movies where the main conflict seems to be a "grown" adult's reluctance to actually "grow" up and take on responsibility. Failure to Launch and Step Brothers are extreme examples of this concept. While most takes on emerging adulthood (and the problems that it can cause) are shown in a light-humored attempt to poke fun at the idea, a few films have taken a more serious approach to the plight. Adventureland, Take Me Home Tonight, Cyrus and Jeff, Who Lives at Home are comedy-dramas that exhibit the plight of today's emerging adult. Television also is capitalizing on the concept of emerging adulthood with the two new sitcoms $h*! My Dad Says and Big Lake.
However, it is not just on television where society sees the world becoming aware of this trend. In spring 2010, The New Yorker magazine showcased a picture of a post-grad hanging his Ph. D. on the wall of his bedroom as his parents stood in the doorway. People do not have to seek out these media sources to find documentation of the emerging adulthood phenomenon. News sources about the topic are abundant. Nationwide, it is being found that people entering their 20s are faced with multitudes of living problems creating problems that this age group has received a lot of attention for. The Occupy movement is an example of what has happened to the youth of today and exhibits the frustration of today's emerging adults. Other television shows and films showcasing emerging/early adulthood are Girls, How I Met Your Mother, Step Brothers and Less Than Zero.
Read more about this topic: Emerging Adulthood
Famous quotes containing the word media:
“The corporate grip on opinion in the United States is one of the wonders of the Western World. No First World country has ever managed to eliminate so entirely from its media all objectivity—much less dissent.”
—Gore Vidal (b. 1925)
“The media network has its idols, but its principal idol is its own style which generates an aura of winning and leaves the rest in darkness. It recognises neither pity nor pitilessness.”
—John Berger (b. 1926)