Film
In 1988, Michael Jenkins directed a film version of the play. Much of the play's dialogue is retained, though discussion of off-stage characters is usually replaced with their appearance and a more conventionally cinematic level and speed of dialogue. Also, the younger daughter Hannah was omitted.
The principal cast includes:
- Colin: John Hargreaves
- Kate: Robyn Nevin
- Mike: Chris Haywood
- Helen: Nicole Kidman
- Elaine: Ruth Cracknell
- Malcolm: Dennis Miller
- Penny: Ella Scott
- Sam: Haydon Samuels
- Ian: Nicholas Hammond
- Kath: Michelle Torres
The Australian Film Institute nominated it for five awards: Best Actor (John Hargreaves), Best Achievement in Cinematography (Paul Murphy), Best Adapted Screenplay (David Williamson), Best Actress in a Supporting Role (Nicole Kidman), and Best Actor in a Supporting Role (Chris Haywood), for which it won.
The film has never been released on home video in the United States, though it has been shown on the cable channel Romance Classics. A region-free PAL DVD was released in the United Kingdom by an anonymous company in Herts (VFC31962 NL041; UPC: 5 017633 41002 >) sometimes given online as "Hollywood Classics". This edition was pressed with a ten-second jump in the master early in the film. Although this jump is noted in the counter, it happens in exactly the same place on all copies.
Read more about this topic: Emerald City (play)
Famous quotes containing the word film:
“Perhaps our eyes are merely a blank film which is taken from us after our deaths to be developed elsewhere and screened as our life story in some infernal cinema or despatched as microfilm into the sidereal void.”
—Jean Baudrillard (b. 1929)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)