How It Is Distinct From (disembodied) Music Cognition
Cartesian dualism had a tremendous impact on cognitive science and in particular on cognitive musicology. Influenced by Gestalt psychology, music cognition research of the last decades of the 20th Century was mainly focusing on the perception of structure, that is, the perception of pitch, melody, rhythm, harmony and tonality. It considered music perception as a faculty on its own, completely dissociated from musical action. Instead, in studies on embodied musical activity (such as listening and music performance), subjects are invited to actively engage in the signification process. This engagement is articulated by means of corporeal expression which can be measured, analyzed, modelled and related to the musical stimulus. Descartes' idea that mental activity is of a separate order from body movement is refuted and, in fact reversed.
Read more about this topic: Embodied Music Cognition
Famous quotes containing the words distinct, music and/or cognition:
“Nobody of any real culture, for instance, ever talks nowadays about the beauty of sunset. Sunsets are quite old fashioned.... To admire them is a distinct sign of provincialism of temperament. Upon the other hand they go on.”
—Oscar Wilde (1854–1900)
“If you really believe music is dangerous, you should let it go in one ear and out the other.”
—José Bergamín (1895–1983)
“Intuitive cognition of a thing is cognition that enables us to know whether the thing exists or does not exist, in such a way that, if the thing exists, then the intellect immediately judges that it exists and evidently knows that it exists, unless the judgment happens to be impeded through the imperfection of this cognition.”
—William of Occam (c. 1285–1349)