Literary Works
- Under the pseudonym "Ernst Rosmer"
- Dämmerung (Schauspiel, 1893)
- Wir Drei (Drama 1893)
- Madonna (Novellen 1894)
- Königskinder (Märchendrama 1895; 1895 von Engelbert Humperdinck vertont)
- Tedeum (Komödie 1896)
- Themistokles (Tragödie 1897)
- Mutter Maria. Totengedicht in fünf Wandlungen (1900)
- Merete (1902)
- Dagny (drama) (Drama 1904)
- Johannes Herkner (Schauspiel 1904)
- As "Elsa Bernstein"
- Nausikaa (Tragödie 1906)
- Maria Arndt (Schauspiel 1908)
- Achill (Tragödie 1910)
- Das Leben als Drama. Erinnerungen an Theresienstadt (Tagebuch aus dem KZ, posthum 1999)
Read more about this topic: Elsa Bernstein
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“Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.”
—Bertolt Brecht (1898–1956)
“Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.”
—Bertolt Brecht (1898–1956)
“Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
—Josiah Royce (1855–1916)