Ella Fitzgerald Sings Songs From "Let No Man Write My Epitaph"

Ella Fitzgerald Sings Songs from "Let No Man Write My Epitaph" is a 1960 (see 1960 in music) album by the American jazz singer Ella Fitzgerald, accompanied by the pianist Paul Smith. Let No Man Write My Epitaph was a 1960 Hollywood movie featuring Fitzgerald.

This album has only been available on CD as The Intimate Ella, and is considered one of Ella's greatest recordings. Ella's 1950 Decca album Ella Sings Gershwin, is in a similar vein, with Ella accompanied by the pianist Ellis Larkins.

The album hints at a depth of emotional understanding that critics often complained was missing in Ella's reading of jazz lyrics, and once again establishes her as one of the supreme interpreters of the Great American Songbook. Scott Yanow's review of the album (on Allmusic) declared, "Listeners who Ella Fitzgerald... had trouble giving the proper emotional intensity to lyrics will be surprised by this sensitive and often haunting set".

Read more about Ella Fitzgerald Sings Songs From "Let No Man Write My Epitaph":  Track Listing, Personnel

Famous quotes containing the words fitzgerald, sings, songs, man, write and/or epitaph:

    Men get to be a mixture of the charming mannerisms of the women they have known.
    —F. Scott Fitzgerald (1896–1940)

    A poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds; his auditors are as men entranced by the melody of an unseen musician, who feel that they are moved and softened, yet know not whence or why.
    Percy Bysshe Shelley (1792–1822)

    How learned he bitter songs of lost Iambe,
    Or that a cup-shaped breast is nothing vile?
    Allen Tate (1899–1979)

    It is well-known what a middleman is: he is a man who bamboozles one party and plunders the other.
    Benjamin Disraeli (1804–1881)

    His courtesy was somewhat extravagant. He would write and thank people who wrote to thank him for wedding presents and when he encountered anyone as punctilious as himself the correspondence ended only with death.
    Evelyn Waugh (1903–1966)

    But since Thy loud-tongu’d Blood demands Supplies,
    More from BriareusHands, than Argus Eyes,
    I’ll tune Thy Elegies to Trumpet-sounds,
    And write Thy Epitaph in Blood and Wounds!
    —James Graham Marquess of Montrose (1612–1650)