Production
According to director Tom Hooper, Mirren "came onboard before the script was written because the feeling was that it was only worth doing if she would play it." Hooper and Mirren had previously worked together on the police procedural drama Prime Suspect 6 (2003). The project on Elizabeth I was originally going to be two hours and focus on her relationship with the Earl of Essex, but Mirren "felt that there should be more politics" according to writer Nigel Williams. The series was filmed in Vilnius, Lithuania, where the massive sets were constructed inside a sports arena that was abandoned in the 1970s. The Whitehall Palace set was constructed to scale from original plans.
Read more about this topic: Elizabeth I (TV Miniseries)
Famous quotes containing the word production:
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
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“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
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“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)