English Poets
The "elegy" was originally a classical form with few English examples. However, in 1751, Thomas Gray wrote "Elegy Written in a Country Churchyard". That poem inspired numerous imitators, and soon both the revived Pindaric ode and "elegy" were commonplace. Gray used the term "elegy" for a poem of solitude and mourning, and not just for funereal (eulogy) verse. He also freed the elegy from the classical elegiac meter.
Afterward, Samuel Taylor Coleridge argued that the elegiac is the form "most natural to the reflective mind" and that it may be upon any subject, so long as it reflects on the poet himself. Coleridge was quite aware of the fact that his definition conflated the elegiac with the lyric, but he was emphasizing the recollected and reflective nature of the lyric he favored and referring to the sort of elegy that had been popularized by Gray. Similarly, William Wordsworth had said that poetry should come from "emotions recollected in tranquility" (Preface to Lyrical Ballads, emphasis added). After the Romantics, "elegiac" slowly returned to its narrower meaning of verse composed in memory of the dead.
In other examples of poetry such as Alfred Tennyson's "The Lady of Shalott" an elegiac tone can be used, where the author is praising someone in a sombre tone. J. R. R. Tolkien in his essay, 'Beowulf: the Monsters and the Critics' argues that Beowulf is a heroic elegy.
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