Electric Circus (nightclub)
Coordinates: 40°43′45″N 73°59′19″W / 40.729169°N 73.988682°W / 40.729169; -73.988682
- This article is about a Manhattan nightclub. For other uses, please see Electric Circus (disambiguation)
The Electric Circus was a nightclub and discotheque located at 19-25 St. Marks Place between Second and Third Avenues in the East Village neighborhood of Manhattan, New York City, from 1967 to September 1971. The club was created by Jerry Brandt, Stanton J. Freeman and their partners and designed by Chermayeff & Geismar. With its invitation (from one of its press releases) to "play games, dress as you like, dance, sit, think, tune in and turn on," and its mix of light shows, music, circus performers and experimental theater, the Electric Circus embodied the wild and creative side of 1960s club culture.
Flame throwing jugglers and trapeze artists performed between musical sets, strobe lights flashed over a huge dance floor, and multiple projectors flashed images and footage from home movies. Seating was varied, with sofas provided. The Electric Circus became "New York's ultimate mixed-media pleasure dome, and its hallucinogenic light baths enthralled every sector of New York society." Its hedonistic atmosphere also influenced the later rise of disco culture and discotheques.
Experimental bands such as The Velvet Underground, jam bands such as The Grateful Dead and avant-garde composers such as minimalist Terry Riley and electronic music pioneer Morton Subotnick, played at the club. Other bands played there before they were famous, such as Raven and "Soft White Underbelly" before it became known as Blue Öyster Cult, the Allman Brothers Band, Sly & the Family Stone and The Chambers Brothers.
Read more about Electric Circus (nightclub): Early History, 1960s: Warhol and The Velvet Underground, New Management and Closing
Famous quotes containing the words electric and/or circus:
“It requires a surgical operation to get a joke well into a Scotch understanding. The only idea of wit, or rather that inferior variety of the electric talent which prevails occasionally in the North, and which, under the name of “Wut,” is so infinitely distressing to people of good taste, is laughing immoderately at stated intervals.”
—Sydney Smith (1771–1845)
“One key, one solution to the mysteries of the human condition, one solution to the old knots of fate, freedom, and foreknowledge, exists, the propounding, namely, of the double consciousness. A man must ride alternately on the horses of his private and public nature, as the equestrians in the circus throw themselves nimbly from horse to horse, or plant one foot on the back of one, and the other foot on the back of the other.”
—Ralph Waldo Emerson (1803–1882)