Work
She opened her own office in 1928 after working with well-known architect Henry Atherton Frost for several years. Raymond was drawn to the simple vernacular structures expressive of rural American life, avoiding the grand facades and the exclusively modern styles that were popular with her contemporaries. In 1931, after five years of work, Raymond published Early Domestic Architecture of Pennsylvania, in which she explored what she called the, “unstudied directness in fitting form to function” of very early American architecture. The book was one of the first systematic inventories of vernacular American architecture and defined Raymond’s career. Raymond became known for primarily residential designs that took cues from early American architecture, as well as for her restoration and remodeling work, which approached modern-day adaptive reuse. Raymond always worked within the “three fields” of a house—the exterior, interior, and landscape—and maintained that the architect must always know how the client will use the house. Much of her work was commissioned by women from her social group in Boston and Cambridge, although the two properties featured here were not. One client called her “an architect who combines a respect for tradition with a disrespect for its limitations.”
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Famous quotes containing the word work:
“Most of our platitudes notwithstanding, self-deception remains the most difficult deception. The tricks that work on others count for nothing in that very well-lit back alley where one keeps assignations with oneself: no winning smiles will do here, no prettily drawn lists of good intentions.”
—Joan Didion (b. 1934)
“Each work of art excludes the world, concentrates attention on itself. For the time it is the only thing worth doingto do just that; be it a sonnet, a statue, a landscape, an outline head of Caesar, or an oration. Presently we return to the sight of another that globes itself into a whole as did the first, for example, a beautiful garden; and nothing seems worth doing in life but laying out a garden.”
—Ralph Waldo Emerson (18031882)
“All too soon these feet must hide
In the prison cells of pride,
Lose the freedom of the sod,
Like a colts for work be shod,”
—John Greenleaf Whittier (18071892)