Description
Lovecraft described the Elder Sign only once in his writings, as given by the aged alcoholic Zadok Allen in "The Shadow Over Innsmouth" (1936): "In some places they was little stones strewed abaout — like charms — with somethin' on 'em like what ye call a swastika nowadays. Prob'ly them was the Old Ones' signs." In this story, the sign is used as a defense against Deep Ones; apparently, the Deep Ones cannot harm someone protected by an Elder Sign. However, Lovecraft is known to have drawn it in at least one of his correspondences as a single line with five shorter lines branching off.
August Derleth, who wrote several Cthulhu Mythos stories, described it as a warped, five-pointed star with a flaming pillar (or eye) in the center. This latter description, which is featured in his novel The Lurker at the Threshold (1945), has become the most well-known and popular version of the Elder Sign. It is the version used in D&D, described in Deities and Demigods as an icon of green soapstone, and also appears in Chaosium's Call of Cthulhu role-playing game — as well as the later version published under the Open Gaming License — and in the video game Call of Cthulhu: Dark Corners of the Earth as well as in the boardgame Arkham Horror, produced by Fantasy Flight Games.
A third version of the Elder Sign, incorporating both Derleth's description and Lovecraft's drawing, appears in Lin Carter's short story "The Horror in the Gallery" (1976). This version places Lovecraft's branching design as a cartouche in the center of an oval "star stone". According to the fictional Book of Iod, one of the numerous arcane tomes mentioned in the Cthulhu Mythos, the Elder Sign is a powerful weapon against the servants of Cthulhu and the Outer Gods, and can be used to drive them off.
Read more about this topic: Elder Sign
Famous quotes containing the word description:
“I fancy it must be the quantity of animal food eaten by the English which renders their character insusceptible of civilisation. I suspect it is in their kitchens and not in their churches that their reformation must be worked, and that Missionaries of that description from [France] would avail more than those who should endeavor to tame them by precepts of religion or philosophy.”
—Thomas Jefferson (17431826)
“Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.”
—Paul Tillich (18861965)
“The great object in life is Sensationto feel that we exist, even though in pain; it is this craving void which drives us to gaming, to battle, to travel, to intemperate but keenly felt pursuits of every description whose principal attraction is the agitation inseparable from their accomplishment.”
—George Gordon Noel Byron (17881824)