Performance
The early performance history of the play is unknown. The first recorded performance occurred at the Blackfriars Theatre on 25 April 1635; and it was staged at Hampton Court Palace on 5 January 1637. The play was revived during Restoration era, like many other popular plays in the Fletcher canon; it was performed as early as Friday 23 November 1660, and Samuel Pepys saw it on 6 September 1661, but thought it "ill acted." The play remained in the repertory for years, and was a "principal old stock play" of the era.
Read more about this topic: Elder Brother
Famous quotes containing the word performance:
“Nobody can misunderstand a boy like his own mother.... Mothers at present can bring children into the world, but this performance is apt to mark the end of their capacities. They can’t even attend to the elementary animal requirements of their offspring. It is quite surprising how many children survive in spite of their mothers.”
—Norman Douglas (1868–1952)
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)
“There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.”
—Roland Barthes (1915–1980)