Plot
Lobo is based on the life of Mikel Lejarza, an agent of the Spanish intelligence service in the 1970s. During the last stages of Franco's dictatorship between 1973 and 1975, Lejarza infiltrated ETA, a paramilitary group seeking independence for the Basque Country, and was responsible for the downfall of one quarter of the terrorist activists of the organisation - including Special Forces members and some top-level figures of the group.
Lobo's operation destabilized the terrorist organization at a time when its actions were becoming a perfect validation for the most conservative arm of the Franco regime to take full powers and stop all democratic process in Spain.NPOV
The Lobo operation hindered the terrorists’ plans to escape from the prison where they were held and pursue a campaign of surprise attacks across the country.
Lobo was a man betrayed and ruined by the Spanish dictatorship's secret services, who although at first hiring him to help them stop the ETA, tried to get rid of him later on when he became less useful. This did not stop Lobo, and he kept on with his mission, which became the most successful ever held against ETA by the Spanish Government.
Because of his betrayal, ETA sentenced Lobo to death and covered the whole Basque country with search posters of Mikel Lejarza, hoping that their supporters would aid in the capture and destruction of 'the wolf.' As a result Mikel had to change his name and face and disappear without a trace. The memory of Lobo is so vivid to ETA that its members always carry around a bullet bearing his name to kill him if they ever meet or see him.
Read more about this topic: El Lobo
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobodys previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (18121870)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“There comes a time in every mans education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (18031882)