Toho Years
As head of Toho's Visual Effects Department (which was known as the "Special Arts Department" until 1961), that he established in 1939, he supervised around an average of sixty craftsmen, technicians and cameramen. It was here that he became part of the team, along with director Ishirō Honda and producer Tomoyuki Tanaka, that created the first Godzilla film in 1954, and were dubbed by Toho's advertising department as "The Golden Trio".
For his work in Godzilla (ゴジラ - Gojira), Tsuburaya won his first "Film Technique Award". In contrast to the stop motion technique most famously used Willis O'Brien to create the 1933 King Kong, Tsuburaya used a man in a rubber suit to create his giant monster effects. This technique, now most closely associated with Japanese kaiju or monster movies, has come to be called suitmation (originated in the Japanese fan press during the 1980s). Through intense lighting and high-speed filming, Tsuburaya was able to add to the realism of the effects by giving them a slightly slower, ponderous weightiness. This technique, using detailed miniatures with men-in-monster-suits, is still being used today (but combined with CGI techniques as well) and is now considered a traditional Japanese craft art.
The tremendous success of Godzilla led Toho to produce a series science fiction films, films introducing new monsters, and further films involving the Godzilla character itself. The most critically and popularly successful of these films were those involving the team of Tsuburaya, Honda and Tanaka, along with the fourth member of the Godzilla team, composer Akira Ifukube. Tsuburaya continued producing the special effects for non-kaiju films like The H-Man (1958), and The Last War (1961), and won another Japanese Movie Technique Award for his work in the 1957 science-fiction film The Mysterians. He also won another award in 1959 for the creation of the "Toho Versatile System", an optical printer for widescreen pictures, which he built in-house and first used on The Three Treasures in 1959 (Tsuburaya was continually frustrated by the poor state of equipment he was forced to use, and Toho's money-pinching that prevented the acquisition of new motion picture technologies).
A loyal company man, Tsuburaya continued to work at Toho Studios until his death in 1970.
Read more about this topic: Eiji Tsuburaya
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