Egyptian Revival Architecture - in The Wake of Napoleon

In The Wake of Napoleon

New after the Napoleonic invasion was a sudden increase of the number of works of art and the fact that, for the first time, entire buildings began to be built to resemble those of ancient Egypt. In France and Britain this was at least partially inspired by successful war campaigns undertaken by each country while in Egypt.

Among the earliest surviving examples of the revival in France is the Foire du Caire or Fair of Cairo building in Paris, built in 1798. The exterior of the stone structure features large engaged Hathor heads, a freize, and other more subtle ancient Egyptian architectural influences. Another survivor is the Fontaine du Fellah in Paris, built in 1806. It was designed by François-Jean Bralle. A well-documented example, destroyed after Napoleon was deposed, was the monument to General Louis Desaix in the Place des Victoires was built in 1810. It featured a nude statue of the general and an obelisk, both set upon an Egyptian Revival base.

One of the first British buildings to show an Egyptian Revival interior was the newspaper office of The Courier on the Strand in London. It was built in 1804 and featured a cavetto (coved) cornice and Egyptian-influenced columns with palmiform capitals. Other early British examples include the Egyptian Hall in London, completed in 1812, and the Egyptian Gallery, a private room in the home of connoisseur Thomas Hope (1769-1831) to display his Egyptian antiquities, and illustrated in engravings from his meticulous line drawings in his book Household Furniture (1807), were a prime source for the Regency style of British furnishings.

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